While originally secularly founded by Yatsuhashi Kengyo in the early 17th century, Koto, “the music of Japan”, flourished in the 1800s. Koto composer Nakanoshima Kengyo (1838-1894) created and dedicated “Matsukaze”, “the wind in the pines”, imitating the sounds of Gagaku, Japanese court music (see http://www.socsci.uci.edu/~rgarfias/sound-recordings/japan.html). It is a composition in continuous gentle, fluid motion, sometimes wandering yet never searching. It is as confident and steady as the wind in the pines, bending but never breaking; as subtle yet serene as a cool ocean breeze (though I believe the vocals does this piece a disservice). 🙂
A few additional koto and other instrumental tunes worth noting about the wind and the Spirit are:
– Koto Jazz medley live at the Brass Tacks, Seattle (July 5th). Kozan no Kaze is inspired by world renowned jazz piano player, Li Pui Ming’s style of jazz which I call “chaos jazz”. I will also feature this piece at the Royal Room, Seattle in September (see events section)
New to “Sample Sounds” is a brief excerpt of a beautifully performed melodious composition by a very, very special, gifted person. While I attempted to give insight into the basic western chordal structure and show how many songs are based on them, this unique musical talent composed a piece called “Wind-chimes”. Wind-chimes graces with delicate simplicity and inspires with its spontaneous peace and joy. Though you can discern smooth, flowing patterns up and down the scale, the melody captures a gentle breeze tapping the tunes of flower pedal-like wind-chimes. The second “windchime” sample called “Rain Drops from Trees” evokes images of a cool breeze releasing rain drops from branches of a tree, or a tributary trickling downstream in a fresh green mountain meadow and gurgling over creek pebbles. It is a “must hear”.
John Denver spoke of the wind as “the symbol of all that is free,” in his masterfully sung spiritual ballad, Windsong. Yusuf Islam (formerly Cat Stevens) suggests that we “listen to the wind of the soul” in his spiritual journey called “The Wind”. To introduce a hint of the trans-formative nature of the wind, I reflect on the western tradition. Probably the most telling story-lines passed on through perhaps hundreds of generations is the story about Jesus who spoke of the One who is to follow. He said we may speak wrongly about himself and the Father and it will be forgiven us, but we may never speak wrongly about the Spirit. There is only one description in the good book I know of where Jesus explicitly defines the Spirit in human terms and that is, “The wind blows where it wishes and we hear the sound of it. We know neither from where it comes nor to where it goes, and so it is with those of the Spirit.”
The wind is the breath of this small and fragile home we call earth and is not to be tampered with nor taken for granted. If we feel the wind and the Spirit in our own lives, we live in unison with who we are intended to be, what we are intended to do. Then and only then, regardless of where we are or who we are, we are part of the living Spirit through whom we truly “breathe, we move, and we have our being.”
Let us dare to care for the wind, take heed of each moment it pays us a visit as if it were the One who is to follow, and in JD’s words ” welcome the wind and the wisdom she offers. Follow her summons when she calls again. In your heart and your spirit let the breezes surround you. Lift up your voice then and sing with the wind.” (Windsong)