Koto Jazz 42: Shapes in Design & Music

Shapes in designs are key to our expression and creativity.  There are the sharp shapes, sharp angles such as pyramids and squares (see the above photo’s stone walk way behind the water feature).  Traditionally, this is associated with the manhood and the west. It is common to find square stone walk ways, squared off gate ways, even pyramidal shaped trellises, and square- shaped garden areas. Substantial changes have taken place in the modern era to include rounded shapes and designs. This is not something you think about in the daily neighborhood dog walk. You don’t pass by the Jones’ house and say, “my, what a nicely manicured, squared off hedge outlining their nicely square-shaped yard.” However, it does influence your psyche over time, and if this is all you see and all you grow up with, it influences how you see things and see the world. I would argue, it narrows your vision.

Then there is the circle or rounded shapes.  Traditionally, this is associated with the Buddhist circle of life and the yin- yang symbol of the east. The rounded water features (see above photo) rounded walk ways, rounded stone steps, rounded gateways (more common in China), rounded bridges, are not commonly seen in North America but are more readily available garden features in Asia. For example, I visited a number of Chinese gardens which featured circled garden entry gates outside of Shanghai. This is a generalization of course, but it offers insight into the role of shapes in garden design that can provide you options on how plan your own garden.

The Shapes of Music:

Likewise, music presents its own shapes. There are the common, chordal structures perfected by the west featuring linear patterns, and melodies that take sharp turns. Then there are the often meandering, circular flow of chords and progressions, even non-chords and non-progressions, and musical patterns of the east.  The synthesis of the two are at times attempted to be expressed in modern jazz.  However, western jazz maintains its biases from its origins and while it proposes a best effort to synthesizes the two, it tends to de-emphasize the meandering nature and musical flow of the east (e.g., traditional Koto and east Indian music) without even knowing it. Thus, the concept of koto jazz rears its creative head– a melodious journey, but not beholden even to modern jazz progressions!

Thus, koto jazz tunes can often fit more appropriately into the genre commonly known as new age.  While new age has taken a popularity hit with the closing of society and its mis-representation of new age as being connected to some type of religious agenda, even cult, this is only a temporary passing misappropriation. From what I’ve observed of the new age movement, there is no agenda, except to offer people some peace of mind with soothing sounds and melodies! How’s that for an “agenda”. That said, eastern styles of music are finding their way into the North American and European music worlds quite independent of the new age trends.

Indian Bollywood:

Take for example, my friend Prashant’s Bollywood Dreams Entertainment and the dance style of modern east Indian Bollywood music. I could not help but notice the circular and meandering motions of this invigorating, high energy dance style. This is consistent with the musical melodies of many popular Bollywood songs (see Bollywood Dreams Entertainment), which likewise meander, wander and move in circular melodic motion.

While this koto jazz blog does not concern itself with business achievements, it’s no accident that the likes of Larry Ellison and Steve Jobs admitted to having strong eastern influences in their lives. This, I believe, is where there is a collision of creativity into real world situations, such as high end physics, engineering, architecture, and various sectors of business ventures.

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