Come join me at what promises to be an enjoyable event that offers you a visual introduction to all things Japanese. This includes a colorful fashion show to original Japanese performance by famous Kokyu performer Daikuke Kiba and my own variations on 1,000 year old Japanese koto music played on the keyboard. These include Haru no Umi, Tori no Yo Ni, and Kojo no Tsuki. I will also play my originals including recent art show selections Windy Wheat Fields and Snow Blossoms, and hyper fast Snow Flurry.
The Sangre de Cristo Arts Center in Pueblo, Colorado showcases a stellar presentation, professional art exhibit “Representing The West”. My music was selected among 550 artists as part of the digital media section:
Another stroke of luck. In January – March 2017 two of my original Kotojazz tunes are recognized as “Representing the West” at the Sangre de Cristo Arts and Conference Center annual exhibit. These are pure new age Americana folk songs. “Snow Blossoms” was inspired by the blue violets peeking through melting snow on a sunny winter day along Boulder Creek trail in Boulder, Colorado. “Windy Kansas Wheat Fields” was inspired by strong wind blowing over fields of grass and wheat creating a steady undulating flow like ocean waves. You can see the wind blowing through wheat fields in eastern Colorado and Kansas. Both feed our souls, in their simplicity and stillness (snow blossoms) and their awesome enduring power (windy Kansas wheat fields).
I am reminded that the “The wind blows where it wishes and you hear the sound of it; you know neither from where it comes nor to where it goes, and so it is with the Spirit.”
David Wilborn likes to jazz it up with some upbeat, almost ragtime rhythmic tunes. His music is mostly improvisation and this is one of those. As a gifted creator of sound into melodic rhythm, it’s been a pleasure and privilege to have Dave as a friend for over 20 years, and as a music partner for the past year.
Sometime the smaller venues are more fun and interactive and relaxing for us both, and we find that C&P Coffee Company which hosts music performers like us every week, is just such the place to make you feel at home. It is located right on the main drag in West Seattle at 5621 California Street, just south of the West Seattle “Junction”. Stop by sometime and you just might find us rockin’ up this classic coffee house, or someone else like us. The coffee and service there is fabolicious!
This new CD mostly live production was crazy, experimental fun – anchored by a few George Winston covers, a touch of Narada/ Silver Wave- style new age, a koto jazz tune, and some “off the beaten path”, eclectic wacko improvisations . . . and you have a metamorphosis of the senses –
From the Sounds from the Coast CD, “WhalesBreaching“is a celebration of life, sharing the seas with our ocean friends, and a hope that we will never take them for granted. Let’s support their rights as our own.
Here is a live recording of a tune I first played at Stone Way Café’s Fremont Art Walk on April 1st, then recorded live at The Royal Room on April 13th with Koto Jazz accompaniment by Patrick Wilson on the SyntHorn –
Take a mid-week break next Wednesday and relax by stopping by The Royal Room at 7:00-9:30pm, April 13th as Patrick Wilson and I demo our experimental session of Koto Jazz with bossa nova rhythm and beat on the Steinway and Patrick’s invention, the SyntHorn. We’re attempting to further refine it to make it truly stage worthy in preparation for Northwest Folklife opening day. We perform for Northwest Folklife on Friday, May 27 at 4:30pm-5:10pm. The Koto Jazz will be stage worthy with bossa nova fusion. The Royal Room is located in south Seattle’s Columbia City neighborhood at 5000 Rainier Ave South, Seattle. See http://theroyalroomseattle.com for quality dining and drinks. This will be part of a donation of $100 I plan to give to the Royal Room and Wayne Horvitz toward piano repairs!!
Bass guitar was originally invented in Seattle native Paul Tutmarc developed this instrument in the early 1930s, although he didn’t receive much recognition or success from it. It became more revolutionary after Fender and Fullerton’s rendition came out shortly after in the 1950s (source: onlyinyourstate.com).
For the off beat eclectic innovator, the SyntHorn is an amazing, fun and crazy instrument. One of my neighbors and friends Patrick Wilson in Seattle created a digital instrument he calls The SyntHorn (short for synthesizer horn). The horn itself produces an unique, distant echoing cavernous sound effect. The SyntHorn includes the horn, a mini- digital keyboard, Oscillator, Chaoscillator, Monotron delay unit, two Internal Horn speakers, and one external speaker. Since the the features and function completely run on rechargeable batteries, it can played anywhere at any time. A carrying strap fits over the shoulder. All this resides in one unit.
Join me in my next performances at C&P Coffee, Columbia City’s Royal Room, and Stone Way Café to hear our progressive electronic jazz. Patrick, a former DJ at a local college radio station, will join me in jazzing up my koto jazz tunes and offer up a few of his own originals with my accompaniment on the keyboard.
It makes sounds and rhythms you’ve never heard before.
If our local Seattle grunge band The Presidents of the United States of America can get away with writing songs about bugs (Boll Weevil, Lady Bug), I figure I can too.
This is a fun, eclectic koto jazz tune about one of my most memorable life experiences. My brother, Uncle Yasushi and I used to go hunting, not for a rhinosaurus with a gun, but for rhinosaurus beetles with a net in rural Japan. They make for popular pets in Japan, as do so many exotic insects. The less adventurous just go to the local insect pet store, and are able to purchase them. We preferred the tree climbing approach where the “Kabuto mushi” (Rhinosaurus beetle) dwell. Unfortunately, the last of my bug collection was soaked up by the summer flood of 2014 in Boulder, Colorado.
This version was recorded live at Egan’s Jam House in Ballard last weekend, November 21st, and was one of a number of new songs I introduced at the show. Here is the recording: Wandering Rhino Bug
I really got into a zone rockin’ the piano. Sometimes it feels like I’m connecting to the true “Seattle Sound”, an almost eclectic, grunge sound on the keyboard. . . if that is possible. Live recordings will be coming soon. The feedback I have from a handful of attendees last night at Egan’s Jam House tells me these were the most well received tunes:
1) The Hummingbird song (no surprise, I rocked it; Hatchidori wa Hana Kara Hana e Tobu);
2) Tide Pools @ Waves (no surprise, this one reached the top 10 out of 80k songs on soundclick.com);
3) Odds & Endings (same as Tide Pools);
4) Ripples on Creek Rocks (surprised, this is the one that aired on KSFK NPR jazz radio, in S. Alaska, and I still don’t know why)
5) Mount Index Ice Caves (surprised, an acquired taste; haunting sounds)
6) Thanksgiving (surprised, this one by Peter Kater)
Come join me, Chris Kenji, Saturday, November 21st, 9:00 pm – 10:30pm, at Egan’s Jam House in Ballard, northwest Seattle. I will bring you new songs on the piano, including Odds & Endings, Seascape, and my new Koto Jazz piece, Motto Midare (More Chaos).
I will also sing a few popular classic rock/ folk songs with an eclectic alternative style. In between these vocals, I will play my “Koto Jazz- Sounds from the Coast” tunes. $5.00 cover. For directions and map, visit map here: 1707 NW Market Street (Ballard), Seattle; Call or text: 206-200-2733.