Inspiring art everywhere was enough to help me push through a rather long two hour at times choppy, and sometimes humbling performance. In the end, it was good enough, and sometimes that just has to do.
Thanks to Paul Deuber, Cannon Beach Chamber of Commerce, and the Cannon Beach Gallery Group for debuting their first year of music along with artistic works featured by over 20 art galleries in this small town rated by National Geographic as one of the top 20 beach resorts in the nation.
I introduced three new songs recently written in the spring of 2018 and played for the first time in public, and here are excerpts of these songs listed as the first three songs on the following web page:
Playing at Grumpy D’s Coffee House in Ballard, where I lived in my 20s, is like coming home. The Cannon Beach Unveiling Arts Festival is coming up Saturday, May 05 where I play at Ecola Square, 1:45-3:45pm, Mill Creek Newsroom with Mark Goldberg and Koto Jazz May 19, 7-9pm, and then the Northwest Folklife Festival on May 27 at the Seattle Center’s CenterHouse Theater.
Come join me at what promises to be an enjoyable event that offers you a visual introduction to all things Japanese. This includes a colorful fashion show to original Japanese performance by famous Kokyu performer Daikuke Kiba and my own variations on 1,000 year old Japanese koto music played on the keyboard. These include Haru no Umi, Tori no Yo Ni, and Kojo no Tsuki. I will also play my originals including recent art show selections Windy Wheat Fields and Snow Blossoms, and hyper fast Snow Flurry.
The Sangre de Cristo Arts Center in Pueblo, Colorado showcases a stellar presentation, professional art exhibit “Representing The West”. My music was selected among 550 artists as part of the digital media section:
Another stroke of luck. In January – March 2017 two of my original Kotojazz tunes are recognized as “Representing the West” at the Sangre de Cristo Arts and Conference Center annual exhibit. These are pure new age Americana folk songs. “Snow Blossoms” was inspired by the blue violets peeking through melting snow on a sunny winter day along Boulder Creek trail in Boulder, Colorado. “Windy Kansas Wheat Fields” was inspired by strong wind blowing over fields of grass and wheat creating a steady undulating flow like ocean waves. You can see the wind blowing through wheat fields in eastern Colorado and Kansas. Both feed our souls, in their simplicity and stillness (snow blossoms) and their awesome enduring power (windy Kansas wheat fields).
I am reminded that the “The wind blows where it wishes and you hear the sound of it; you know neither from where it comes nor to where it goes, and so it is with the Spirit.”
David Wilborn likes to jazz it up with some upbeat, almost ragtime rhythmic tunes. His music is mostly improvisation and this is one of those. As a gifted creator of sound into melodic rhythm, it’s been a pleasure and privilege to have Dave as a friend for over 20 years, and as a music partner for the past year.
Sometime the smaller venues are more fun and interactive and relaxing for us both, and we find that C&P Coffee Company which hosts music performers like us every week, is just such the place to make you feel at home. It is located right on the main drag in West Seattle at 5621 California Street, just south of the West Seattle “Junction”. Stop by sometime and you just might find us rockin’ up this classic coffee house, or someone else like us. The coffee and service there is fabolicious!
This new CD mostly live production was crazy, experimental fun – anchored by a few George Winston covers, a touch of Narada/ Silver Wave- style new age, a koto jazz tune, and some “off the beaten path”, eclectic wacko improvisations . . . and you have a metamorphosis of the senses –
From the Sounds from the Coast CD, “WhalesBreaching“is a celebration of life, sharing the seas with our ocean friends, and a hope that we will never take them for granted. Let’s support their rights as our own.
Here is a live recording of a tune I first played at Stone Way Café’s Fremont Art Walk on April 1st, then recorded live at The Royal Room on April 13th with Koto Jazz accompaniment by Patrick Wilson on the SyntHorn –
Take a mid-week break next Wednesday and relax by stopping by The Royal Room at 7:00-9:30pm, April 13th as Patrick Wilson and I demo our experimental session of Koto Jazz with bossa nova rhythm and beat on the Steinway and Patrick’s invention, the SyntHorn. We’re attempting to further refine it to make it truly stage worthy in preparation for Northwest Folklife opening day. We perform for Northwest Folklife on Friday, May 27 at 4:30pm-5:10pm. The Koto Jazz will be stage worthy with bossa nova fusion. The Royal Room is located in south Seattle’s Columbia City neighborhood at 5000 Rainier Ave South, Seattle. See http://theroyalroomseattle.com for quality dining and drinks. This will be part of a donation of $100 I plan to give to the Royal Room and Wayne Horvitz toward piano repairs!!
Sea-Tac Airport – The first photo features CD covers of Pearl Jam by Muni One. Mono no aware in Japanese means the awareness of the impermanence of everything, and acceptance of things as they are. The second photo shows samples of the Chihuly glass productions.