Category Archives: jazz

Koto Jazz tune 91: Creating a free form, “chaos” music

Indeterminate music happens when a musician creates a base melody, and leaves the rest to spontaneous chance and free flow of expression. Instead of the musician taking the driver’s seat, the musician surrenders to letting the music take the driver’s seat; take the musician wherever it leads. It was first practiced by John Cage and Brian Eno say some, but this type of creative expression has been around since the first music was created.

In the mid- and then late 1900s, it has been made into somewhat of a classification of its own. Indeterminate music, a “composing approach in which some aspects of a musical work are left open to chance or to the interpreter’s free choice”, according to Wikipedia.

With that, here is an attempt to create some form around it. First you have the music piece itself. This music can itself take on its own life and expression around its main themes – deter, detract, explore outside of its originating themes, chordal structure and basic musical patterns – and then later return to those main themes. In fact, the whole idea of “indeterminacy” means it does not necessarily need to return to the original themes. It just seems to help the listener connect to the music more effectively, to hear some semblance of familiarity with the musical score.

Systems based indeterminate sound seems to have its own characteristics and tendencies. It takes advantage of all the ways of changing an original score. These include:

  1. Modulate
  2. Reverberations
  3. Delay
  4. Compress
  5. Distortion

A truly indeterminate music piece can not only deter off the main themes, but it also may modulate, reverberate, delay, compress, and distort at any given part of the music piece. This indeterminacy might have a connection with the concept of “chaos jazz” I’ve discussed in previous blogs entries on Kotojazz; e.g., Li Pui Ming’s style of jazz.

Chaos variations of known music scores have been a topic of intrigue at various times and places. For example, Diana Dabby an MIT graduate in electrical engineering sought to make the connection between music and math, including using “math to create new musical ideas.” Beyond that, using math to generate inspiration and far reaching creativity. “The principles of her work have now been used to create new dance “chaography” and even a chaotic remix of Lewis Carroll’s ‘Alice’s Adventures in Wonderland,’ according to a 2013 article about her in t he Boston Globe (see “What a little chaos does for music”). Her works refer back to Ilya Prigogine’s “chaos theory” in physics and mathematics. The article says that in mathematics, “‘chaos’ is actually the result of a system that is evolving according to set rules”, even though it often does not appear that way. The reason chaotic systems seem so unpredictable and random is that they are “sensitive to slight changes in initial conditions, commonly referred to as the butterfly effect”. So too, the “butterfly effect” applies to music as well. These are the makings of the “nonlinear dynamics”, as explained in the article by Dabby’s associate and University of Colorado, Boulder professor Liz Bradley. Just as musical expression challenges people to explore their deepest most personal secrets, music will find its way to unleash all of it and more. So in this sense, it is a reflection of our self awareness and what I believe we refer to as spirituality.

 

 

 

 

KotoJazz 89: David Wilborn’s ‘jazz it up’ tune @ C&P West Seattle

 

David Wilborn likes to jazz it up with some upbeat, almost ragtime rhythmic tunes. His music is mostly improvisation and this is one of those. As a gifted creator of sound into melodic rhythm, it’s been a pleasure and privilege to have Dave as a friend for over 20 years, and as a music partner for the past year.

Sometime the smaller venues are more fun and interactive and relaxing for us both, and we find that C&P Coffee Company which hosts music performers like us every week, is just such the place  to make you feel at home. It is located right on the main drag in West Seattle at 5621 California Street, just south of the West Seattle “Junction”. Stop by sometime and you just might find us rockin’ up this classic coffee house, or someone else like us. The coffee and service there is fabolicious!

metamorph senses (new CD release & a koto jazz tune)

This new CD mostly live production was crazy, experimental fun – anchored by a few George Winston covers, a touch of Narada/ Silver Wave- style new age, a koto jazz tune, and some “off the beaten path”, eclectic wacko improvisations . . . and you have a metamorphosis of the senses –

http://www.cdbaby.com/cd/chriskenjibeer5

metamorphsenses_final02

 

Whales Breaching Live @Northwest FOLKLIFE

From the Sounds from the Coast CD, “Whales Breaching is a celebration of life, sharing the seas with our ocean friends, and a hope that we will never take them for granted. Let’s support their rights as our own.

 

“Breach” – Live Koto Jazz & the SyntHorn @ The Royal Room; NW FOLKLIFE Next

Here is a live recording of a tune I first played at Stone Way Café’s Fremont Art Walk on April 1st, then recorded live at The Royal Room on April 13th with Koto Jazz accompaniment by Patrick Wilson on the SyntHorn –

🎶  “Breach”, by Chris Kenji & Patrick Wilson.

 

Koto Jazz on soundclick.com

 

Join me and Koto Jazz partners next week in Pioneer Square and Northwest Folklife –

April 29th, 7-8:30PM, Saturday, Koto Jazz @ FREDERICK HOLMES AND COMPANY Art Gallery, 309 Occidental Ave., Occidental Mall, Pioneer Square, dowtown Seattle; #206-682-0166.

May 27, 4:30- 5:10 PM, Friday, 2016 NORTHWEST FOLKLIFE;“Koto Jazz – Sounds On the Coast” by Chris Kenji, Center Theater, Seattle Center, Seattle WA. No cover

Koto Jazz 85: Next Wednesday @The Royal Room

Take a mid-week break next Wednesday and relax by stopping by The Royal Room at 7:00-9:30pm, April 13th as Patrick Wilson and I demo our experimental session of Koto Jazz with bossa nova rhythm and beat on the Steinway and Patrick’s invention, the SyntHorn. We’re attempting to further refine it to make it truly stage worthy in preparation for Northwest Folklife opening day. We perform for Northwest Folklife on Friday, May 27 at 4:30pm-5:10pm. The Koto Jazz will be stage worthy with bossa nova fusion. The Royal Room is located in south Seattle’s Columbia City neighborhood at 5000 Rainier Ave South, Seattle. See http://theroyalroomseattle.com for quality dining and drinks. This will be part of a donation of $100 I plan to give to the Royal Room and Wayne Horvitz toward piano repairs!!     

Patrick Wilson’s SyntHorn on the koto jazz tune

For the off beat eclectic innovator, the SyntHorn is an amazing, fun and crazy instrument. One of my neighbors and friends Patrick Wilson in Seattle created a digital instrument he calls The SyntHorn (short for synthesizer horn). The horn itself produces an unique, distant echoing cavernous sound effect. The SyntHorn includes the horn, a mini- digital keyboard, Oscillator, Chaoscillator, Monotron delay unit, two Internal Horn speakers, and one external speaker. Since the the features and function completely run on rechargeable batteries, it can played anywhere at any time. A carrying strap fits over the shoulder. All this resides in one unit.

Here is a sampling of Patrick live on the SyntHorn –

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Join me in my next performances at C&P Coffee, Columbia City’s Royal Room, and Stone Way Café to hear our progressive electronic jazz. Patrick, a former DJ at a local college radio station, will join me in jazzing up my koto jazz tunes and offer up a few of his own originals with my accompaniment on the keyboard.

It makes sounds and rhythms you’ve never heard before.

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KFSK Radio, NPR Syndicate Airs Koto Jazz, “Ripples On Creek Rocks”

It’s nice to have one of my songs airing on NPR syndicate KFSK Radio in Petersburg, Alaska’s Rainforest Festival music playlist (September).

Here is that song, at Amazon Music: Ripples on Creek Rocks,

and a link to the same song on Soundclick.com: http://www.soundclick.com/bands/page_music.cfm?bandID=1382715

Marie Bolla and Chris Kenji on Stage @ Royal Room, October 27th

Marie Bolla will sing beautiful classic folk/ contemporary jazz songs with Chris at the keyboards. Marie has played piano and sang nearly her entire life, and has received local awards for her performances. She has played with the popular Seattle area bands. The first half of the show will feature Chris Kenji’s new piano instrumental tunes for his second CD “Sounds from the Coast”, to be followed by Marie Bolla and Chris Kenji in a keyboard duet with Marie singing solo.

Come join us OCTOBER 27th, 7:30-9:30pm (Tuesday),“Sounds from the Coast”, by Chris Kenji and Marie Bolla at the The Royal Room, Seattle’s Columbia City neighborhood ; no cover charge. “Koto Jazz- Sounds from the Coast” by Chris Kenji and Marie Bolla. For directions and map, visit map to Royal Room, Seattle. Address: 5000 Rainier Avenue, Seattle, WA 98118; Call or text: 206-200-2733.

KotoJazz 78: Top 10 on Soundclick – Tide Pools & Waves

  • Tide Pools & Waves reached as high as #2 and #4 in the “World” ranking (out of over 80,000 songs) and “New Age” (out of over 13,500 songs) categories over the weekend, respectively. It remained for a week at #26 and #10. Other Koto Jazz tunes reaching the Soundclick.com charts are:
  • Ripples On Creek Rocks in the top 10 of the “Acoustic Piano” category of nearly 9,000 songs.
  • Gratitude in the top 40 of the “Acoustic Piano” category of nearly 9,000 songs.
  • My Sakura reached top 5 and Tori No Yo Ni reached the top 10 for two weeks in the “Traditional Asian” category of 13,500 songs in the World charts.
  • Koto Jazz by Chris Kenji Beer Reaches Top 10 in New Age charts, Top 26 in World charts of over 80,000 musicians!
    Koto Jazz by Chris Kenji Beer’s “Tide Pools & Waves” Reaches Top 10 in New Age charts, top 26 in World charts of over 80,000 songs!
    Koto Jazz by Chris Kenji Beer Reaches Top 10 in New Age charts, Top 26 in World charts of over 80,000 musicians!
    Koto Jazz by Chris Kenji Beer Reaches Top 10 in New Age charts, Top 26 in World charts of over 80,000 songs!
    Ripples on Creek Rocks, Koto Jazz song by Chris Kenji Reaches Top 10 in Acoustic Piano charts.
    Ripples on Creek Rocks, Koto Jazz song by Chris Kenji Reaches Top 10 in Acoustic Piano charts.
    Like A Bird (Tori No Yo Ni), Koto Jazz song by Chris Kenji Reaches Top 10 in Traditional Asian, World charts category.
    Like A Bird (Tori No Yo Ni), Koto Jazz song by Chris Kenji Reaches Top 10 in Traditional Asian, World charts category.

    An Evening of Elegance: 55th Anniversary Garden Party at the Japanese Garden

    This anniversary party was filled with positive interactions with the attendees between breaks and after my performance. It’s always a wonderful opportunity to meet new people intrigued by and find enjoyment from my music, but on a broader level, Japanese culture. It’s so good to be connected to such a wonderful, kind, generous, forgiving, and loving community in Seattle.

    As I played the third song of the night, Tomio Moriguchi, otherwise known as “Mr. Uwajimaya”, came up to me and said he loved the first piece I played, Sakura, and of course I obliged to play it again. A true honor to have known you Tomio through the years, first meeting you in the early 90s karaoking with you and the late Joyce Yoshikawa at Bush Garden, getting caught up at the Bon Odori through the years, your reminders of how much you appreciated my sister Kimberley’s summer JAS programs with your family (yes Kimberley, Tomio asks about you every time!) and now, how could one not play a song for your memory in such a magical setting as Seattle’s Japanese garden! For the person who quite possibly brought more Japanese food and gifts to America than anyone in America! Domo, domo, domo. The people of Seattle’s Japanese Garden, so many of the attendees such as Tomio, The Sasakis (Cherry Blossom Festival and Fujima Fujimine Dance Ensemble) have colored this city of Seattle with the beautiful wonders of Japanese arts and culture for which I am eternally grateful.

    Seattle Japanese Garden, University of Washington Arboretum
    Setting up at the Seattle Japanese Garden, University of Washington Arboretum

    University of Washington Arboretum Japanese Garden
    University of Washington Arboretum Japanese Garden

    The koto tunes I played at this event were:

  • My Sakura,
  • Haru No Umi (The Sea in Springtime),
  • Tori No Yo Ni (Like A Bird),
  • Aki No Hou (Toward Autumn Season), and
  • Tide Pools And Waves (Shiyodamari to Nami).
  • Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.


    I was immediately followed by a traditional Japanese dance by Fujima Fujimine Dance Ensemble (pictured here):

    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum. I saw familiar faces at the event, including Tazue Sasaki of the Fujima Fujimine Dance Ensemble, her husband Yutaka Sasaki, and members of the Japanese Consulate.

    Koto Jazz 77: Kawabe House Annual Reception

    There are good folks volunteering at the Kawabe Memorial House, a senior center in Seattle. Here are a few pics from the annual reception. There was good food, good company, and I hope everyone enjoyed my music. I played for about a half hour, mostly Koto jazz pieces and their lovely Korean upright piano. Thanks to all the staff and volunteers for your wonderful hospitality.

    kawabe memorial house annual volunteer reception with koto jazz by Chris Kenji.
    kawabe memorial house annual volunteer reception with koto jazz by Chris Kenji.

    <a href="https://kotojazz.files.wordpress.com/2015/06/wp_001032.jpg"><img src="https://kotojazz.files.wordpress.com/2015/06/wp_001032.jpg?w=300" alt="kawabe memorial house annual volunteer reception with koto jazz by Chris Kenji." width="300" height="225" class="size-medium wp-image-2308" /></a> kawabe memorial house annual volunteer reception with koto jazz by Chris Kenji.
    [caption id="attachment_2308" align="alignnone" width="300"]kawabe memorial house annual volunteer reception with koto jazz by Chris Kenji. kawabe memorial house annual volunteer reception with koto jazz by Chris Kenji Beer.

    KotoJazz 76: Kawabe House & 55th Anniversary of UW Arboretum Japanese Garden Preview

    When I first returned to Seattle as an adult in 1990 (I was born here), I started playing piano at senior homes, mostly George Winston and Scott Cossu re-runs. Today, I bring my own originals to senior venues as a volunteer to share with fellow Japanese Americans. My hope is they will connect with its Japanese koto music influences and enjoy listening to the tunes I play today.

    I will be playing at the Kawabe Memorial House on Friday, June 26th. This event will also be a good warm up along with other volunteer performances for the 55th Anniversary of University of Washington Arboretum’s Japanese Garden celebration on July 24th. I was chosen among numerous applicants to play for this exclusive event.

    Having played at the Seattle Center for the 40th Annual Japanese Cultural Festival in April, this has been a year of re-connecting with the Japanese communities in Seattle where I enjoy a solid following. The ”Koto Jazz & 55th Anniversary Event of the UW Arboretum Seattle Japanese Garden“ is “an evening of Japanese Arts and Cuisine to Benefit Seattle Japanese Garden”. The garden becomes the backdrop for an elegant fete of scrumptious Japanese cuisine with fine wines and sake, a Nodate tea ceremony, and traditional performance arts during this 55th anniversary benefit event. All are welcome to attend by contacting Tel: 206.684.4725; seattlejapanesegarden.org.

    Koto Jazz 75: @ Stage 7 Pianos, Kirkland

    My first performance was a video recording session thanks to my good friend Ed Yakuzawa of Victory Music. Some of the koto jazz tunes have been uploaded to YouTube. Here are a few:

    1) Tide Pools & Waves (Shiyodamari To Nami)

    2) My Sakura