It was a gorgeous sunny day in the mid-60s in Cannon Beach, Oregon with no sign of the namesake of this inpiring annual arts festival. I featured my new CD, Digital Escapism, this Saturday, November 02, 11am – 1pm, at the local the popular Ecola Square; and at south Seattle’s Pho Hanoi Restaurant and Bar on Saturday, November 09, 2019.
I played a number of original titles, including:
Dance of the Fireflies
Escape from the Blues
Live video from the last piano performances in Cannon Beach and at Pho Hanoi Restaurant in South Seattle are being edited and will be posted to kotojazz.com by end of November.
This classy contemporary art gallery at the center of Seattle’s art community in Occidental park is an ideal location for a reception. This is my fourth time playing here. I will played for about an hour and my good friend Michael shared one of his creative writing pieces in this dynamic creative arts environment.
30th Anniversary Stormy Weather Arts Festival, Cannon Beach, Oregon
Another peaceful relaxing weekend of solitude and piano playing in Cannon Beach Oregon, highlighted by lively guests at the Jeffrey Hull Gallery, Sandpiper Square in Cannon Beach. Nature inspired melodies always go over well at art galleries, such as this reception November 4. These include my original works Snow Blossoms, Seascape, Tide Pools and Waves, Windy Wheat Fields, and Snow Flurry.
Check out Jeffrey Hull’s stunning paintings of pink sunsets, and blankets of snow over Cannon Beach and Haystack Rock.
Inspiring art everywhere was enough to help me push through a rather long two hour at times choppy, and sometimes humbling performance. In the end, it was good enough, and sometimes that just has to do.
Thanks to Paul Deuber, Cannon Beach Chamber of Commerce, and the Cannon Beach Gallery Group for debuting their first year of music along with artistic works featured by over 20 art galleries in this small town rated by National Geographic as one of the top 20 beach resorts in the nation.
I introduced three new songs recently written in the spring of 2018 and played for the first time in public, and here are excerpts of these songs listed as the first three songs on the following web page:
Playing at Grumpy D’s Coffee House in Ballard, where I lived in my 20s, is like coming home. The Cannon Beach Unveiling Arts Festival is coming up Saturday, May 05 where I play at Ecola Square, 1:45-3:45pm, Mill Creek Newsroom with Mark Goldberg and Koto Jazz May 19, 7-9pm, and then the Northwest Folklife Festival on May 27 at the Seattle Center’s CenterHouse Theater.
Come join me at what promises to be an enjoyable event that offers you a visual introduction to all things Japanese. This includes a colorful fashion show to original Japanese performance by famous Kokyu performer Daikuke Kiba and my own variations on 1,000 year old Japanese koto music played on the keyboard. These include Haru no Umi, Tori no Yo Ni, and Kojo no Tsuki. I will also play my originals including recent art show selections Windy Wheat Fields and Snow Blossoms, and hyper fast Snow Flurry.
The Sangre de Cristo Arts Center in Pueblo, Colorado showcases a stellar presentation, professional art exhibit “Representing The West”. My music was selected among 550 artists as part of the digital media section:
Another stroke of luck. In January – March 2017 two of my original Kotojazz tunes are recognized as “Representing the West” at the Sangre de Cristo Arts and Conference Center annual exhibit. These are pure new age Americana folk songs. “Snow Blossoms” was inspired by the blue violets peeking through melting snow on a sunny winter day along Boulder Creek trail in Boulder, Colorado. “Windy Kansas Wheat Fields” was inspired by strong wind blowing over fields of grass and wheat creating a steady undulating flow like ocean waves. You can see the wind blowing through wheat fields in eastern Colorado and Kansas. Both feed our souls, in their simplicity and stillness (snow blossoms) and their awesome enduring power (windy Kansas wheat fields).
I am reminded that the “The wind blows where it wishes and you hear the sound of it; you know neither from where it comes nor to where it goes, and so it is with the Spirit.”
This new CD mostly live production was crazy, experimental fun – anchored by a few George Winston covers, a touch of Narada/ Silver Wave- style new age, a koto jazz tune, and some “off the beaten path”, eclectic wacko improvisations . . . and you have a metamorphosis of the senses –
From the Sounds from the Coast CD, “WhalesBreaching“is a celebration of life, sharing the seas with our ocean friends, and a hope that we will never take them for granted. Let’s support their rights as our own.