“Aki No Hou”, which means toward the autumn season, is loosely derived by two traditional Japanese Koto pieces – “Midare” (off balance) and “Aki No Koto No Ha” (the sea in springtime). Some of the plucking styles used in “Midare” are used here.
While my tunes have similar patterns to the “Akin no Koto no Ha”, Aki no Hou takes on a life of its own. Ultimately my creation as the final product has little or no resemblance to these ancient Japanese original works. I wrote “Aki no Hou” in the fall of 2014, inspired by the changing seasons, the energetic dynamics of the autumn; the changing colors of trees and plants, the bustling of wildlife in preparation for winter, and the anticipation of settling into its moments of solitude.
This new age musical tune was inspired by a hike with my friend Kim. We climbed to the ice caves at the summit of Mount Index off highway 2 just northeast of Seattle.
The Mount Index ice caves were leaking typical eerie, echoing sounding drops of water melting off blue ice, which increasingly gathered and coalesced into more and more tributaries of water racing toward the opening of the ice caves. It is the beginning of the water cycle, passing beyond alpine lakes and converging with glacial streams and eventually, rivers racing toward the Pacific ocean.
It’s one of my fun trance-like tunes of quirky frivolity reminding of the simple world we live in and the majesty of the basic elements that give us life.
This energetic Koto jazz piece I wrote this summer (2014) is reflective of the spring season mating patterns of the hummingbird. To attract its mate, the male hummingbird scales up and down the keys of the sky as a kind of mating dance to attract the attention of female hummingbirds. I observed this odd mating dance at Discovery Park in Seattle during a hike in the summer of 2014.
This melody also reflects the playful dance tunes of hummingbirds flying from flower to flower, which is the translated name of the song Hatchidori Wa Hana Kara Hana E Tobu. Purchase preview is available on Amazon music at Hatchidori Amazon.
In my last performance at the Royal Room November 30th, I told the stories about how each of the Koto jazz songs I played came to be. The following I hope serve as a glimpse into the koto jazz process as I reflect on a particular part of the natural world and seek to bring out its natural majesty and beauty in a musical tune. Tide Pools l & The Wind, for example, I wrote a few weeks ago.
Shiyodamari To Nami (Tide Pools & Waves) – This smooth jazz song was inspired by viewing tide pools on the Oregon and Washington coasts, feeling the motions of wind dashing upon tide pools and waves; their undulating patterns; their graceful dance on sandy shores. When we leave our world whatever it is and enter the world of the majestic wind, we see that the Wind breathes the Spirit of life onto our world and we can be left with nothing but awe and inspiration.