Take a mid-week break next Wednesday and relax by stopping by The Royal Room at 7:00-9:30pm, April 13th as Patrick Wilson and I demo our experimental session of Koto Jazz with bossa nova rhythm and beat on the Steinway and Patrick’s invention, the SyntHorn. We’re attempting to further refine it to make it truly stage worthy in preparation for Northwest Folklife opening day. We perform for Northwest Folklife on Friday, May 27 at 4:30pm-5:10pm. The Koto Jazz will be stage worthy with bossa nova fusion. The Royal Room is located in south Seattle’s Columbia City neighborhood at 5000 Rainier Ave South, Seattle. See http://theroyalroomseattle.com for quality dining and drinks. This will be part of a donation of $100 I plan to give to the Royal Room and Wayne Horvitz toward piano repairs!!
I really got into a zone rockin’ the piano. Sometimes it feels like I’m connecting to the true “Seattle Sound”, an almost eclectic, grunge sound on the keyboard. . . if that is possible. Live recordings will be coming soon. The feedback I have from a handful of attendees last night at Egan’s Jam House tells me these were the most well received tunes:
1) The Hummingbird song (no surprise, I rocked it; Hatchidori wa Hana Kara Hana e Tobu);
2) Tide Pools @ Waves (no surprise, this one reached the top 10 out of 80k songs on soundclick.com);
3) Odds & Endings (same as Tide Pools);
4) Ripples on Creek Rocks (surprised, this is the one that aired on KSFK NPR jazz radio, in S. Alaska, and I still don’t know why)
5) Mount Index Ice Caves (surprised, an acquired taste; haunting sounds)
6) Thanksgiving (surprised, this one by Peter Kater)
Worth a listen here @ Chris Kenji Beer on Soundclick.com
Thanks so much y’all for coming. (no more singing, I promise, except by Marie. Lol.)
Come join me, Chris Kenji, Saturday, November 21st, 9:00 pm – 10:30pm, at Egan’s Jam House in Ballard, northwest Seattle. I will bring you new songs on the piano, including Odds & Endings, Seascape, and my new Koto Jazz piece, Motto Midare (More Chaos).
I will also sing a few popular classic rock/ folk songs with an eclectic alternative style. In between these vocals, I will play my “Koto Jazz- Sounds from the Coast” tunes. $5.00 cover. For directions and map, visit map here: 1707 NW Market Street (Ballard), Seattle; Call or text: 206-200-2733.
It was a relaxing night of playing at the Royal Room on Tuesday night, and the modest- sized audience was very generous with their contributions. To friends and fans, thanks so much for coming on a weeknight. The donations were solid, so I call it a good night. It means they either really liked your music, or they really, really felt sorry for you. Lol. I say it means you “approve this message”, so thanks. It is also possible we found an introduction to Paul Simon in the audience. 😉
The evening started with a few original works that will be included in my second CD, and a Koto Jazz tune include:
– Falling Leaves
– Haystack Horse Trot
– Protective dissonance
Marie chimed in with vocals for the following ballads:
– Fragile by Sting
– Rivers & Roads
– Make You Feel My Love
– Goodnight Irene
It’s nice to have one of my songs airing on NPR syndicate KFSK Radio in Petersburg, Alaska’s Rainforest Festival music playlist (September).
Here is that song, at Amazon Music: “Ripples on Creek Rocks“,
and a link to the same song on Soundclick.com: http://www.soundclick.com/bands/page_music.cfm?bandID=1382715
Marie Bolla will sing beautiful classic folk/ contemporary jazz songs with Chris at the keyboards. Marie has played piano and sang nearly her entire life, and has received local awards for her performances. She has played with the popular Seattle area bands. The first half of the show will feature Chris Kenji’s new piano instrumental tunes for his second CD “Sounds from the Coast”, to be followed by Marie Bolla and Chris Kenji in a keyboard duet with Marie singing solo.
Come join us OCTOBER 27th, 7:30-9:30pm (Tuesday),“Sounds from the Coast”, by Chris Kenji and Marie Bolla at the The Royal Room, Seattle’s Columbia City neighborhood ; no cover charge. “Koto Jazz- Sounds from the Coast” by Chris Kenji and Marie Bolla. For directions and map, visit map to Royal Room, Seattle. Address: 5000 Rainier Avenue, Seattle, WA 98118; Call or text: 206-200-2733.
This anniversary party was filled with positive interactions with the attendees between breaks and after my performance. It’s always a wonderful opportunity to meet new people intrigued by and find enjoyment from my music, but on a broader level, Japanese culture. It’s so good to be connected to such a wonderful, kind, generous, forgiving, and loving community in Seattle.
As I played the third song of the night, Tomio Moriguchi, otherwise known as “Mr. Uwajimaya”, came up to me and said he loved the first piece I played, Sakura, and of course I obliged to play it again. A true honor to have known you Tomio through the years, first meeting you in the early 90s karaoking with you and the late Joyce Yoshikawa at Bush Garden, getting caught up at the Bon Odori through the years, your reminders of how much you appreciated my sister Kimberley’s summer JAS programs with your family (yes Kimberley, Tomio asks about you every time!) and now, how could one not play a song for your memory in such a magical setting as Seattle’s Japanese garden! For the person who quite possibly brought more Japanese food and gifts to America than anyone in America! Domo, domo, domo. The people of Seattle’s Japanese Garden, so many of the attendees such as Tomio, The Sasakis (Cherry Blossom Festival and Fujima Fujimine Dance Ensemble) have colored this city of Seattle with the beautiful wonders of Japanese arts and culture for which I am eternally grateful.
The koto tunes I played at this event were:
I was immediately followed by a traditional Japanese dance by Fujima Fujimine Dance Ensemble (pictured here):
The koto tunes I played at this event were:
There are good folks volunteering at the Kawabe Memorial House, a senior center in Seattle. Here are a few pics from the annual reception. There was good food, good company, and I hope everyone enjoyed my music. I played for about a half hour, mostly Koto jazz pieces and their lovely Korean upright piano. Thanks to all the staff and volunteers for your wonderful hospitality.
When I first returned to Seattle as an adult in 1990 (I was born here), I started playing piano at senior homes, mostly George Winston and Scott Cossu re-runs. Today, I bring my own originals to senior venues as a volunteer to share with fellow Japanese Americans. My hope is they will connect with its Japanese koto music influences and enjoy listening to the tunes I play today.
I will be playing at the Kawabe Memorial House on Friday, June 26th. This event will also be a good warm up along with other volunteer performances for the 55th Anniversary of University of Washington Arboretum’s Japanese Garden celebration on July 24th. I was chosen among numerous applicants to play for this exclusive event.
Having played at the Seattle Center for the 40th Annual Japanese Cultural Festival in April, this has been a year of re-connecting with the Japanese communities in Seattle where I enjoy a solid following. The ”Koto Jazz & 55th Anniversary Event of the UW Arboretum Seattle Japanese Garden“ is “an evening of Japanese Arts and Cuisine to Benefit Seattle Japanese Garden”. The garden becomes the backdrop for an elegant fete of scrumptious Japanese cuisine with fine wines and sake, a Nodate tea ceremony, and traditional performance arts during this 55th anniversary benefit event. All are welcome to attend by contacting Tel: 206.684.4725; seattlejapanesegarden.org.
Half time playing a piano gig at the pub in South Bend/ Raymond, the oyster capital of the world. And two Koto Jazz fans! This was so much more relaxing than a few weeks ago when I played at the Seattle Center. Ahhh, the taste of the ocean air , a couple koto jazz tunes . . .. and more oysters . …
Probably the most well known concept around spacing in gardens is Mel Bartholomew’s “Square Foot Gardening”. This first and foremost applies to vegetable gardens, but can be applicable to spacing in ornamental gardens as well. Here is an exploration of spacing for garden designs.
All plants ornamental or otherwise, need space to grow, and a minimum of twelve inches apart is generally a good growing space principal. Open spaces are critical, especially in dry Zen gardens where open spaces represent the open sea. In Japanese gardens, open spaces are often the center piece of Japanese gardens, while plants and stones provide the backdrop or outline.
Come join a celebration at the end of the Chinese New Year on March 6th, 6-8pm, Friday, Dragonfly Holistic Healing across from the Fremont bridge is having a “Chinese New Year” celebration open house, featuring koto jazz piano by Chris Kenji at Dragonfly Holistic Healing, 760 N. 34th Street, Seattle, WA 98103; Fremont neighborhood. Website: DragonflyHolisticHealing.com. Come join us for a Free Admission party. Gang Xi Fat Cai!
Japanese gardens seek to bring out the balance of the natural world. A key intent of Japanese gardens today is to replicate the natural world in smaller spaces; re-creating miniaturized versions of serene natural landscapes. In that re-creation, there are a few principles that bring across that image of balance, such as boundaries and regions that reflect the natural world.
Boundaries include regions divided by grass areas, or dry gravel areas. These can be divided by pathways, borders, or water. These borders can be rounded or straight edged, but remain consistently one or the other within the same region. These also include water borders, such as waterfalls, dry creek beds, flowing streams, ponds, and lakes.
A common number to create balance in the garden is the use of threes- three stones or three clumps of grasses. As a general rule, taller trees and plants are placed in the background, while shorter plants such as ornamental grasses and flowering plants are placed in the foreground.
So long as the plants create a natural flowing space, the garden can be minimalist with very little foliage, or it can be lush with carefully placed grasses and flowering plants and shrubs. Both can be accented with lanterns in the foreground, or off to the side.
A taller Japanese maple tree is always a good background for either approach, as are tall pogodas.