Tag Archives: Sakura Sakura

KotoJazz 84: Low Budget Area Garden Design

A work- in- progress of my Japanese garden in the front yard, including a dry creek rock garden, featured stones, lantern, bamboo borders, Japanese lace maple, yellow, black and red grass, various ground covers and mosses, irises and crocosmias, succulents, smoke tree, salvia, asters, rhodedendrums, 3 types of helleborus, 4 types of heucheras, painted ferns, razer and licourish ferns, and the featured "dragon" weeping blue spruce pine.
A work- in- progress of my Japanese garden in the front yard, including a dry creek rock garden, featured stones, lantern, bamboo borders, Japanese lace maple, yellow, black and red grass, various ground covers and mosses, irises and crocosmias, elderberry, succulents, a smoke tree, salvia, asters, rhodedendrums, 3 types of helleborus, 4 types of heucheras, painted ferns, razer and licorice ferns, and the featured weeping “dragon” blue spruce pine.


60-80% of a garden’s beauty can be made from resources already available around your home or among friends. Remember, nature offers its own beauty that may only need minor enhancements. I personally don’t care for regularly maintaining a yard, especially constantly mowing lawns. It just brings out the sneezing in me. Lawn mowing is among the world’s biggest wastes of water and consumes unnecessary time in my lazy, stubborn opinion. Frankly, it offers no creativity or inspiration of natural beauty.

AREA GARDENS:

We start with creating a garden image in your head. Imagine an idyllic beautiful scene in your head. Then, dig a space of dirt, any shape you want it to be. Apply that idyllic scene to this bare space. First, simply turn over the grass and put it upside down, occasionally scraping off the loose dirt to further expose the grass roots, so the grass is certain to die. Then, take cedar droppings from underneath cedar trees in the back yard and spread it throughout the dug out space. Cedar is highly acidic and will largely reduce if not eliminate the need for weeding the area garden space. Not much of anything can grow under cedars; maybe a few rhodies (rhododendrons) which thrive in acidic soil.

In the case of the above pictured garden, I dug out the entire side of the front yard off of the concrete path. I left a few “accents” of grass to provide lining for the area garden’s borders. These can be easily held at bay with an occasional weed whacking. If you want you can raise the garden, which I did for the area garden beyond the concrete path toward the top of the above photo. You can raise it as much as you like by simply adding more soil to the area and more mulch. I moved the rhody from another part of this house where it was hidden away, and is now featured in the raised garden. A general rule when creating your own garden is to place the larger items –  bushes, trees, or stones – toward the back, while shorter smaller flowers and plants should be placed toward the front. As a taller, larger bush, the rhody serves as an attractive back drop to this area garden.

BORDERS & HIGHLIGHTS:

Here is a dry creek pond around the tree, beginning a dry creek meandering along round stone steps which continue along the side of the house to the back yard. We have a fucia in full bloom and a japanese maple in blue pots in the foreground, a reddening sumac to the left, three hydrangeas (white, pink and blue), a Japanese anenome next to the sumac, a light evergreen bush next to the featured stone creating the affect of an island, a white drooping Japanese pine to the right along the mound, sword fern, and five different types and colors of heucheras.
Here is a dry creek pond around the tree, beginning a dry creek meandering along round stone steps which continue along the side of the house to the back yard. We have a fucia in full bloom and a japanese maple in blue pots in the foreground, a reddening sumac to the left, three hydrangeas (white, pink and blue), a Japanese anenome next to the sumac, a light evergreen bush next to the featured stone creating the affect of an island, a white drooping Japanese pine to the right along the mound, sword fern, and five different types and colors of heucheras.

It’s always nice to have borders for the area garden so as to define its space. Borders can be stone, bricks, slate, wood, bamboo pieces, even plants. In this case, I used stones found in the ground when digging out the garden area. As for the larger boulders highlighted around the rock creek, I was fortunate to find a friend who was excavating a part of his property and was trying to get rid of these beautiful blue-hued boulders (with more to come in later phases).  These boulders give the impression of a mountainous terrain with a valley carved  out by a rolling creek. Reinforcing this mini- mountain  scene is the meandering  creek. I place various types of sheet moss, tree moss, and fern moss on the north, more shaded side of the garden area. Eventually, all dirt areas you see in the garden will display a plant, fern, moss, or ground cover of some type to add personality.

DRY CREEK:

The dry creek appears to naturally flow between the larger boulders. Each boulder enforces a bend in the creek, as it does in natural creeks. Large creek rocks are generally placed toward the outer borders of the creek, while smaller rocks are toward the center, again mimicking these natural occurrences in nature. The creek narrows and appears to flow into a small lake in the foreground toward the street. I recommend using black creek rocks if available; otherwise, the varied colored rocks will do. To make the dry creek, I dug out the space and put in a thin layer of cedar mulch, then a thick layer of sand to prevent weeds from growing in the creek rock. Soon to come will be a natural stone recycling water feature at the beginning of the dry creek.

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FLOWERING PLANTS & THINGS:

As for the flowering plants and things in this area garden, I looked for anything that might complement the “bones” of these area mounds. Fortunately in the Pacific Northwest, there are lots of plant life growing everywhere, some considered weeds in some circles. For example, ferns, wild white flowering heuchera, crocosmia, and wild blue bells grow like weeds in this region, but one can never get enough of their natural beauty.  I placed the wild heuchera on the north side and underneath the rhody where it thrives in shady areas. I scatter the wild crocosmias, blue hyacinths, and blue bells unevenly throughout the area gardens to reinforce the natural look. The blue bells and hyacinths  will flower in the spring while the crocosmias flower in late summer into autumn. I also have a relative of the ‘lamb’s ear’ ground cover which grows wild here and flowers a gorgeous deep magenta flower at the ends of each antler-like stem. I also have another ground cover that emerges a bouquet of hundreds of tiny white bulbous flowers during the summer and autumn seasons. I plan to add various types of ornamental grasses in addition to the Japanese red grass and the yellow bamboo grass clumps around the garden areas.

I have shoots of Japanese red grass planted to the side of the weeping blue cedar, tulips and other bulbous flowers not yet blooming scattered around the area gardens as well. I was gifted a rosemary to add a year round pungent aroma and a gorgeous orange rose bush.

A work- in- progress of my Japanese garden in the front yard, the garden includes two dry creek rock gardens (one in the foreground of the featured image and the other in the background as a minimalist Zen garden), featured stones, lantern, bamboo borders, a Japanese lace maple, a coral bark maple, yellow, black and red grass, various ground covers and mosses, irises and crocosmias, an elderberry, succulents, a smoke tree, salvia, purple asters, rhododendrons, anenome flowers, echinacea, 3 types of hellebores, 4 types of heucheras, painted ferns, shark tale, razor and licorice ferns, and the featured weeping “dragon” blue spruce pine in the foreground.

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PURCHASED HIGHLIGHTED ITEMS:

The low budget provided for a few highlighted features, such as the Japanese lantern, Japanese coral bark maple, the weeping blue “dragon” cedar, Chinese purple lantern flowers, two red dogwood bushes, and a few ground covers such as English daisies, heucheras, and grasses. Outside of sweat equity, the total budget was a remarkable mere $141! For the future, I plan to add another raised garden across the walkway in the front, mock bamboo, a Japanese purple lace maple, ornamental grasses, and maybe a rare plant such as an aromatic variegated pink daphne, a cone flowering hydrangea, Asian tiger lilies, or a few exotic pink or magenta Japanese anemone flowers. The blue pots can feature beautiful maples such as local vine maples, or anything that requires a controlled environment such as bamboo.

 

Japanese style rock creek garden
Japanese style rock creek garden in the making.
The "Before" photo - What the garden looked like before moving into the house.
The “Before” photo – What the garden looked like before moving into the house.
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Wildlife and Nature Pictures – A True Respite from the Daily Grind

I find refuge and inspiration of the photos of the “Wildlife and Nature Pictures” website on Facebook. As a pretty new member of Facebook, I highly recommend this site for viewing all the beauty of nature that the world has to offer. Here is a picture of a corridor of blooming pink Cherry blossom trees in Japan:

Koto Jazz 72: Koi (carp) & Nishikigoi (colored carp)

Here is a mini garden with a good mix of color combinations, land and sea image to create a balanced look and feel.

The highlight of this garden of course is the flowing carp swimming in the foreground.

The word ‘koi’ literally means carp, but also describes wild varieties of the common carp fish. Carp are a very hardy species and can withstand long travel. Around 1000 years ago, the carp made it’s way into Japan via China. Keeping koi was most popular with Japanese farmers who kept them as a source of food.

Sometime in the 1800s koi were kept in a closed breeding area to create colorful variations by the mutations over time. Out of personal interest, these new colored varieties were bred further and maintained as a hobby rather than as the traditional food source. These new ‘colored’ koi were called Nishikigoi.

The creation of these beautiful color variations in the early 1900s, brought about an explosion of koi caring as a hobby in Japan, and then worldwide. The Japanese turned the artistic form into a science. Japan is recognized today as the best koi breeders, today boasting as many as 13 color varieties!

You may source the koi symbol from Chinese legend about a carp that successfully swam to the top of a large waterfall on Yellow River became a dragon. Thus, koi symbolizes power and bravery, and overcoming adversity. The koi and Samurai have been a symbols of bravery for similar reasons. Like the Samurai facing death by the sword, the koi likewise, lies still beneath the knife.

Koto Jazz 35: HanaKotoba (language of flowers)

Hanakotoba literally translated means “word flower”, and is the Japanese “language of flowers”. In this practice, plants are given codes and passwords that evoke the emotion inspired by the physiological characteristics and colors of the flowers, according to Wikipedia.

There is a clear relationship between the color of flowers, the most distinctive and resplendent expression of color in the natural world, and its meaning to each individual’s and/or cultural experiences of the color. This can be deeply personal. Artists have long associated moods, feelings and emotions with certain colors. Blue for example, is associated with feeling calm and cozy, while in western culture it represents masculine competence and quality. Blues and purples can also evoke feelings of apathy. Yellow is associated with anxiety. For others, the color yellow can mean warmth, as is the case with orange and red. The color white symbolizes purity and innocence in the west, while it can represent mourning in some eastern traditions.

Though the scientific research behind it is limited, colors may impact a person’s stress level, blood pressure, metabolism, and eye stress, according to Kendra Cherry in About.com’s “Color Psychology”.

The Chinese advanced the practice of chromotherapy for healing (source: Kendra Cherry, About.com’s Color Psychology), and here are sample associations between colors and their healing properties:

  • Red was used to stimulate the body and mind and to increase circulation.
  • Yellow was thought to stimulate the nerves and purify the body.
  • Orange was used to heal the lungs and to increase energy levels.
  • Blue was believed to soothe illnesses and treat pain.
  • Indigo shades were thought to alleviate skin problems.
  • Pink expressed the light, quiet, sweeter side of love

  • Below are some of the flowers and their HanaKotoba meanings. See if the chromotherapy meanings or their cultural associations of color match up at all with the Hanakotoba meanings:

    Scientific Name– Japanese Name– Romaji– English Meaning–

    Amaryllis Belladonna
    アマリリス Amaririsu Amaryllis Shy Amarylis Flower

    Anemone Narcissifolia
    アネモネ Anemone Anemone Sincere Anenome Flower

    Aster Tataricus
    紫苑 Shion Aster tataricus Remembrance

    Azalea
    躑躅 Tsutsuji Azalea Patient/Modest Pink Azalea

    Common Bluebell
    ブルーベル Burūberu Bluebell Grateful

    Camellia Japonica
    椿 Tsubaki Camellia (Red) In Love, Perishing with grace Camellia Japonica

    Camellia Japonica Nobilissima
    椿 Tsubaki Camellia (White) Waiting

    Carnation
    カーネーション Kānēshon Carnation Fascination, Distinction, and Love

    Cherry Blossom
    桜 Sakura Cherry Blossom Kind/Gentle Cherry Blossom

    Yellow Chrysanthemum
    黄菊 Kigiku Chrysanthemum (Yellow) Imperial

    Chrysanthemums
    白菊 Shiragiku Chrysanthemum (White) Truth Chrysanthemum

    Four Leaf Clover
    (四つ葉の) クローバー (Yotsuba no) kurōbā Four-leaf clover Lucky

    Daffodil
    水仙 Suisen Daffodil Respect

    Dahlia
    天竺牡丹 Tenjikubotan Dahlia Good taste Dahlia

    Daisy
    雛菊 Hinagiku Daisy Faith

    Forget-me-not
    勿忘草 Wasurenagusa Forget-me-not True love Forget-Me-Not

    Freesia
    フリージア Furījia Freesia Childish/Immature

    Gardenia
    梔子 Kuchinashi Gardenia Secret love

    Habenaria radiata
    鷺草 Sagiso Habenaria radiata My thoughts will follow you into your dreams

    Hibiscus
    ハイビースカス Haibīsukasu Hibiscus Gentle
    Hibiscus

    Honeysuckle
    忍冬 Suikazura Honeysuckle Generous Honeysuckle

    Hydrangea
    紫陽花 Ajisai Hydrangea Pride

    Iris
    アイリス, 菖蒲 Ayame Iris Good News/Glad tidings/loyalty Japanese Purple Iris

    Lavender
    ラベンダー Rabendā Lavender Faithful

    White Lily
    白百合 Shirayuri Lily (White) Purity/Chastity

    Tiger Lily
    鬼百合 Oniyuri Tiger Lily Wealth Tiger Lily

    Morning Glory
    朝顔 Asagao Morning Glory Willful promises Morning Glory

    Narcissus
    水仙 Suisen Narcissus Self-Esteem

    Peony
    パンジー Panjī Pansy Thoughtful/Caring Orange Peony

    Red Poppy
    雛芥子 Hinageshi Poppy (Red) Fun-Loving

    Red Rose
    紅薔薇 Benibara Rose (Red) Love/In love

    White Rose
    薔薇 Bara Rose (White) Innocence/Silence/Devotion White Rose

    KotoJazz 19: Japanese Maple Trees

    The two English translations of the Japanese maple, or “momiji”, are “baby’s hands” and “becomes crimson leaves”. The first meaning has some Japanese cultural significance. It is believed that passing a newborn baby through the branches of a Japanese maple encourages a long, healthy and prosperous life for the child. The second meaning is best described by a popular Japanese expression, “Yama ga moeru” which means “burning mountain in autumn”. You may have the opportunity to see an entire mountainside of wild Japanese maples turn a fiery red in the autumn season.

    Here are koto music about trees, leaves, and related themes:

  • Japanese Garden
  • Through The Leaves
  • Hidden Inside The Leaves
  • Red Koto
  • Sounds for the Soul: Koto & Nature
  • Japanese & Chinese Koto Harp & Shakuhachi Flute
  • My Sakura, Koto Jazz by Kenji
  • Raindrops from Trees (Ki Kara no Ame no Shizuku), Koto Jazz by Kenji
  • Black Pine Bonsai, Koto Jazz by Kenji

    The most popular of Japanese maples are the red and green variations, but there are countless (over 1,000) variations of colors, sizes and shapes of both the leaves and trees. The Japanese red maple has been cultivated for over 300 years. The Iroha- momiji, or green leaf Japanese maple is native to the Korean Peninsula, China, and Japan. The wild Japanese maple has green leaves in the spring and summer that turn yellow, orange, bright red, pink, or purple in the fall. Younger trees take on the shape of a large challis or bowl, while more mature trees are layered and have a dome-shaped image. Somewhat unique to the Japanese maple is that a parent Japanese maple tree may produce seedlings that have completely different shapes, colors, sizes and structures than its parent (a message here for our own parenthood?).

    The flowers come in spherical clusters and have five purple or red sepals and five white petals. They give the bare branches an attractive red glow in early spring.

    It is customary for Japanese people to take an annual autumn trek to the mountains of Japan, known as momiji-gari (“Maple tree hunting/ viewing”). This is similar to Canadians and Americans who take annual treks to the mountains for viewing the yellowing of aspen in the western Rocky Mountains; or the east- and midwesterners viewing the coloring of maple trees. However, momiji-gari has a spiritual significance. For most Japanese, this annual trek is also a Shinto spiritual trip to commune with the spirits who dwell in the trees, the mountains, and elsewhere in the Natural world.

  • KotoJazz 3: Koto Jazz Defined vs. Jazz Koto Artists

    Koto jazz is a compilation on variations of popular traditional Japanese koto music with a western rhythm. These include Sakura Sakura, Tori No Yo Ni, Rokudan, Midare, and a score of others. Kenji takes these musical pieces and plays them on the piano, varies the sound and tone with western influences of rhythm and beat. He has also created his own Koto jazz pieces Hatchidori Wa Hana Ka[ra] Hana [e tobu] (Hummingbird Flies from Flower to Flower) and Kabutomushi (Rhinoceros Beetle).

    This is not to be confused with Jazz Koto, which integrates the koto instrument and sound into western jazz music.  Jazz Koto became popular in the 70s and 80s by such notable western musicians as

  • June Kuramoto (also see June Kuramoto’s website),
  • Dorothy Ashby,
  • Reiko Obata and East-West Jazz,
  • the fusion jazz band Hiroshima,
  • Eugene Yamamoto, and
  • Shirley Kazuyo Muramoto (also see her as a member of the Murasaki Ensemble), and
  • Masako Naito.

    Koto jazz is the opposite. It is its image, as a reflection on still waters.

  • KotoJazz 2: Contemporary new age/ jazz performers with a touch of Koto

    Some hints of koto jazz influences can be heard in the contemporary music of

  • George Winston (Windham Hill Records),
  • Peter Kater (Silver Wave Records),
  • Shadowfax (Windham Hill Records), and
  • Andreas Vollenweider (Edel Records, Sony Records).
  • These globally popular musicians transcended their time (the 80s) with a deeper challenge to the traditional sound and rhythm. Each received international recognition for their music, and much can be credited to their serious experimentation with eastern influences.

    Kotojazz 1: Koto Jazz Defined – Spiritual origins

    Hatchidori Wa Hana Ka[ra] Hana [e tobu] (Hummingbird Flies from Flower to Flower) and Kabutomushi (Rhinoceros Beetle) are musical pieces that attempt to capture the energy of the natural object; in this case, a hummingbird and a rhinoceros beetle. I believe staying true to the spiritual origins of Koto is paramount.

    Spiritually, Koto jazz seeks to bring out the Japanese Shinto-Buddhist spiritual nourishment derived from connection and reverence to nature as well as ancestral worship. The western influences of jazz music, in part, have their origins in western Judeo-Christian ideals and institutions. It is my opinion we need to bring these two together into an harmonious whole of “yin and yang”, bringing out the best in both traditions which lifts us to broader spiritual growth and learning.

    The best written description/ representation of this that I’ve read to date is the a #1 New York Times Bestselling book by James Redfield called The “Celestine Prophecy“, and our evolution toward a global non-religious spiritual awakening.