Music is able to transform the human mind and spirit in similar ways as natural places of beauty. This is accomplished in part by the sound of music imitating nature by rhythmic beat and flow, its movement in and out of patterns, its simple resonation, coloration, depth of sound, and most importantly, its moments of intermittent silence.
Perhaps, my favorite musical pieces, especially those with koto jazz tunes and themes are those that are able to most effectively bring out the melodious expressions of beauty in nature. While I try to do this in all my music, here are a few feature samples of my music where I believe I come close to accomplishing this (I will be featuring these songs when I play at Seattle’s Royal Room on September 8th):
Ki Kara Amei no Shizuku (Rain drops from Trees; see the above photo)
Hatchidori Wa Hana Kara Hana e Tobu (Hummingbird Flies from Flower to Flower)
Kuriku Iwa no Hamon (Ripples over Creek Rocks)
Tori No Yo Ni & Koto jazz encore (rough live recording at the Brass Tacks, Seattle)
Certain harmony even dissonance, can induce the same euphoric state as inspiration from the natural world. From a health science perspective, it releases chemicals in the brain but also establishes an ionic, possibly magnetic balance in the brain to build upon higher spirituality and higher levels of intuition (again, referring back to James Redfield’s “intuition” in Celestine Prophecy).
After all, music is made by the passing of energy through strings and other instruments. These “instruments of energy” pass on their energy and nurture our spirits. They often connect us with our subconscious emotions and life experiences, or to the contrary, may help us escape from them. It can also lead our spirits to an enlightened spiritual plain. When a musical masterpiece is played in your presence, do you not feel uplifted and recognize the performer taking you to a higher spiritual plain? I think this is what Ludwig Von Beethoven meant when he said, “Music is a higher revelation than all wisdom and philosophy.”
This also explains the use of sound in some sects of Buddhism, and the use of the flute in the aforementioned Zen sect (see “suizen” or blowing meditation in Koto Jazz 34: Shakuhachi Flute).
When we connect with people enjoying the same music, we feel a heightened euphoria and spiritual connection with them, as if we’ve learned something spiritual and profound about them without the need for communication of words. So in that sense, it is a powerful form of human spiritual communication, and communication with a Higher Power.