Tag Archives: waterfalls

KotoJazz 88: Dry Creek Rocks

A dry creek is often preferred over a creek with flowing water. It provides the visual effect of flowing water, and doesn’t require the maintenance of a flowing stream. In this case, using black creek rocks offer a striking color contrast to the green ground covers.

The sound of flowing water can be experienced by adding a simple recycling water feature, such as the mini waterfall toward the back of this mini garden.

This landscaper uses a few types of flowering ground covers along the black dry creek in the foreground accented with Japanese maples in the background.

There are three types of Japanese maples featured here. Two Japanese purple lace maples in the foreground and far rear and the canopy created by the taller green moonlight maple in the center.  Variegated hostas, an azalea, tulips, a calla lily, and mock bamboos offer nice fill ins for variety and balance.

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KotoJazz 84: Low Budget Area Garden Design

A work- in- progress of my Japanese garden in the front yard, including a dry creek rock garden, featured stones, lantern, bamboo borders, Japanese lace maple, yellow, black and red grass, various ground covers and mosses, irises and crocosmias, succulents, smoke tree, salvia, asters, rhodedendrums, 3 types of helleborus, 4 types of heucheras, painted ferns, razer and licourish ferns, and the featured "dragon" weeping blue spruce pine.
A work- in- progress of my Japanese garden in the front yard, including a dry creek rock garden, featured stones, lantern, bamboo borders, Japanese lace maple, yellow, black and red grass, various ground covers and mosses, irises and crocosmias, elderberry, succulents, a smoke tree, salvia, asters, rhodedendrums, 3 types of helleborus, 4 types of heucheras, painted ferns, razer and licorice ferns, and the featured weeping “dragon” blue spruce pine.


60-80% of a garden’s beauty can be made from resources already available around your home or among friends. Remember, nature offers its own beauty that may only need minor enhancements. I personally don’t care for regularly maintaining a yard, especially constantly mowing lawns. It just brings out the sneezing in me. Lawn mowing is among the world’s biggest wastes of water and consumes unnecessary time in my lazy, stubborn opinion. Frankly, it offers no creativity or inspiration of natural beauty.

AREA GARDENS:

We start with creating a garden image in your head. Imagine an idyllic beautiful scene in your head. Then, dig a space of dirt, any shape you want it to be. Apply that idyllic scene to this bare space. First, simply turn over the grass and put it upside down, occasionally scraping off the loose dirt to further expose the grass roots, so the grass is certain to die. Then, take cedar droppings from underneath cedar trees in the back yard and spread it throughout the dug out space. Cedar is highly acidic and will largely reduce if not eliminate the need for weeding the area garden space. Not much of anything can grow under cedars; maybe a few rhodies (rhododendrons) which thrive in acidic soil.

In the case of the above pictured garden, I dug out the entire side of the front yard off of the concrete path. I left a few “accents” of grass to provide lining for the area garden’s borders. These can be easily held at bay with an occasional weed whacking. If you want you can raise the garden, which I did for the area garden beyond the concrete path toward the top of the above photo. You can raise it as much as you like by simply adding more soil to the area and more mulch. I moved the rhody from another part of this house where it was hidden away, and is now featured in the raised garden. A general rule when creating your own garden is to place the larger items –  bushes, trees, or stones – toward the back, while shorter smaller flowers and plants should be placed toward the front. As a taller, larger bush, the rhody serves as an attractive back drop to this area garden.

BORDERS & HIGHLIGHTS:

Here is a dry creek pond around the tree, beginning a dry creek meandering along round stone steps which continue along the side of the house to the back yard. We have a fucia in full bloom and a japanese maple in blue pots in the foreground, a reddening sumac to the left, three hydrangeas (white, pink and blue), a Japanese anenome next to the sumac, a light evergreen bush next to the featured stone creating the affect of an island, a white drooping Japanese pine to the right along the mound, sword fern, and five different types and colors of heucheras.
Here is a dry creek pond around the tree, beginning a dry creek meandering along round stone steps which continue along the side of the house to the back yard. We have a fucia in full bloom and a japanese maple in blue pots in the foreground, a reddening sumac to the left, three hydrangeas (white, pink and blue), a Japanese anenome next to the sumac, a light evergreen bush next to the featured stone creating the affect of an island, a white drooping Japanese pine to the right along the mound, sword fern, and five different types and colors of heucheras.

It’s always nice to have borders for the area garden so as to define its space. Borders can be stone, bricks, slate, wood, bamboo pieces, even plants. In this case, I used stones found in the ground when digging out the garden area. As for the larger boulders highlighted around the rock creek, I was fortunate to find a friend who was excavating a part of his property and was trying to get rid of these beautiful blue-hued boulders (with more to come in later phases).  These boulders give the impression of a mountainous terrain with a valley carved  out by a rolling creek. Reinforcing this mini- mountain  scene is the meandering  creek. I place various types of sheet moss, tree moss, and fern moss on the north, more shaded side of the garden area. Eventually, all dirt areas you see in the garden will display a plant, fern, moss, or ground cover of some type to add personality.

DRY CREEK:

The dry creek appears to naturally flow between the larger boulders. Each boulder enforces a bend in the creek, as it does in natural creeks. Large creek rocks are generally placed toward the outer borders of the creek, while smaller rocks are toward the center, again mimicking these natural occurrences in nature. The creek narrows and appears to flow into a small lake in the foreground toward the street. I recommend using black creek rocks if available; otherwise, the varied colored rocks will do. To make the dry creek, I dug out the space and put in a thin layer of cedar mulch, then a thick layer of sand to prevent weeds from growing in the creek rock. Soon to come will be a natural stone recycling water feature at the beginning of the dry creek.

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FLOWERING PLANTS & THINGS:

As for the flowering plants and things in this area garden, I looked for anything that might complement the “bones” of these area mounds. Fortunately in the Pacific Northwest, there are lots of plant life growing everywhere, some considered weeds in some circles. For example, ferns, wild white flowering heuchera, crocosmia, and wild blue bells grow like weeds in this region, but one can never get enough of their natural beauty.  I placed the wild heuchera on the north side and underneath the rhody where it thrives in shady areas. I scatter the wild crocosmias, blue hyacinths, and blue bells unevenly throughout the area gardens to reinforce the natural look. The blue bells and hyacinths  will flower in the spring while the crocosmias flower in late summer into autumn. I also have a relative of the ‘lamb’s ear’ ground cover which grows wild here and flowers a gorgeous deep magenta flower at the ends of each antler-like stem. I also have another ground cover that emerges a bouquet of hundreds of tiny white bulbous flowers during the summer and autumn seasons. I plan to add various types of ornamental grasses in addition to the Japanese red grass and the yellow bamboo grass clumps around the garden areas.

I have shoots of Japanese red grass planted to the side of the weeping blue cedar, tulips and other bulbous flowers not yet blooming scattered around the area gardens as well. I was gifted a rosemary to add a year round pungent aroma and a gorgeous orange rose bush.

A work- in- progress of my Japanese garden in the front yard, the garden includes two dry creek rock gardens (one in the foreground of the featured image and the other in the background as a minimalist Zen garden), featured stones, lantern, bamboo borders, a Japanese lace maple, a coral bark maple, yellow, black and red grass, various ground covers and mosses, irises and crocosmias, an elderberry, succulents, a smoke tree, salvia, purple asters, rhododendrons, anenome flowers, echinacea, 3 types of hellebores, 4 types of heucheras, painted ferns, shark tale, razor and licorice ferns, and the featured weeping “dragon” blue spruce pine in the foreground.

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PURCHASED HIGHLIGHTED ITEMS:

The low budget provided for a few highlighted features, such as the Japanese lantern, Japanese coral bark maple, the weeping blue “dragon” cedar, Chinese purple lantern flowers, two red dogwood bushes, and a few ground covers such as English daisies, heucheras, and grasses. Outside of sweat equity, the total budget was a remarkable mere $141! For the future, I plan to add another raised garden across the walkway in the front, mock bamboo, a Japanese purple lace maple, ornamental grasses, and maybe a rare plant such as an aromatic variegated pink daphne, a cone flowering hydrangea, Asian tiger lilies, or a few exotic pink or magenta Japanese anemone flowers. The blue pots can feature beautiful maples such as local vine maples, or anything that requires a controlled environment such as bamboo.

 

Japanese style rock creek garden
Japanese style rock creek garden in the making.
The "Before" photo - What the garden looked like before moving into the house.
The “Before” photo – What the garden looked like before moving into the house.

What makes a Japanese garden ?

From garden paths to architecture, fences, gravel patterns, and types of plants, this website details key distinctions of what makes a Japanese garden-

http://www.japanesegardens.jp/

 

Plants Use Neurotransmitter To Signal Stress | IFLScience

In other blogs on this site, I talk about how the natural world connects with and replenishes us, performs a balancing of our energy, such as through the negative ions emissions of moving water – waterfalls, streams, and ocean waves – and also deep forests such as old growth forests. We become stressed and toxic by the fact that downtown areas have very little natural life surrounding it, have a deficiency of negative ions, and carry an excess of positive ions.

This article about nature emitting neurotransmitters takes it to a new level. It seems the premise of the blockbuster movie Avatar (by James Cameron) and its premise is pretty close to how things really are in the natural world. This is a good read:

Plants Use Neurotransmitter To Signal Stress | IFLScience.

An Evening of Elegance: 55th Anniversary Garden Party at the Japanese Garden

This anniversary party was filled with positive interactions with the attendees between breaks and after my performance. It’s always a wonderful opportunity to meet new people intrigued by and find enjoyment from my music, but on a broader level, Japanese culture. It’s so good to be connected to such a wonderful, kind, generous, forgiving, and loving community in Seattle.

As I played the third song of the night, Tomio Moriguchi, otherwise known as “Mr. Uwajimaya”, came up to me and said he loved the first piece I played, Sakura, and of course I obliged to play it again. A true honor to have known you Tomio through the years, first meeting you in the early 90s karaoking with you and the late Joyce Yoshikawa at Bush Garden, getting caught up at the Bon Odori through the years, your reminders of how much you appreciated my sister Kimberley’s summer JAS programs with your family (yes Kimberley, Tomio asks about you every time!) and now, how could one not play a song for your memory in such a magical setting as Seattle’s Japanese garden! For the person who quite possibly brought more Japanese food and gifts to America than anyone in America! Domo, domo, domo. The people of Seattle’s Japanese Garden, so many of the attendees such as Tomio, The Sasakis (Cherry Blossom Festival and Fujima Fujimine Dance Ensemble) have colored this city of Seattle with the beautiful wonders of Japanese arts and culture for which I am eternally grateful.

Seattle Japanese Garden, University of Washington Arboretum
Setting up at the Seattle Japanese Garden, University of Washington Arboretum

University of Washington Arboretum Japanese Garden
University of Washington Arboretum Japanese Garden

The koto tunes I played at this event were:

  • My Sakura,
  • Haru No Umi (The Sea in Springtime),
  • Tori No Yo Ni (Like A Bird),
  • Aki No Hou (Toward Autumn Season), and
  • Tide Pools And Waves (Shiyodamari to Nami).
  • Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.


    I was immediately followed by a traditional Japanese dance by Fujima Fujimine Dance Ensemble (pictured here):

    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum. I saw familiar faces at the event, including Tazue Sasaki of the Fujima Fujimine Dance Ensemble, her husband Yutaka Sasaki, and members of the Japanese Consulate.

    Koto Jazz 73: Kubota Gardens

    Spring into Summer has sprung and it’s time to visit your favorite outdoor places! The Kubota family created a stunning beautiful Japanese garden with mountainous waterfall landscapes, serene koi ponds, and a Zen garden in South Seattle. It is a gardens where many of my musical pieces were first inspired (Kubota Birds Water Dance and Raindrops Fall from Trees, for example). To me, the legacy leaves us much more. Fujitaro and family, including Tak and Tom, were interned at the Minidoka camp in Idaho during World War II, and came home to Seattle to say “I forgive” by presenting the City of Seattle with one of the premiere Japanese gardens in the Northwest. It is the former home of the Kubota family and their landscape business. Kubota Gardens may be the largest Japanese garden in North America and offers 22 acres of rolling hills, natural springs, and hiking/ walking trails, and of course, beautiful landscaped gardens. More information is available at http://www.kubotagarden.org/.

    Koto Jazz 72: Koi (carp) & Nishikigoi (colored carp)

    Here is a mini garden with a good mix of color combinations, land and sea image to create a balanced look and feel.

    The highlight of this garden of course is the flowing carp swimming in the foreground.

    The word ‘koi’ literally means carp, but also describes wild varieties of the common carp fish. Carp are a very hardy species and can withstand long travel. Around 1000 years ago, the carp made it’s way into Japan via China. Keeping koi was most popular with Japanese farmers who kept them as a source of food.

    Sometime in the 1800s koi were kept in a closed breeding area to create colorful variations by the mutations over time. Out of personal interest, these new colored varieties were bred further and maintained as a hobby rather than as the traditional food source. These new ‘colored’ koi were called Nishikigoi.

    The creation of these beautiful color variations in the early 1900s, brought about an explosion of koi caring as a hobby in Japan, and then worldwide. The Japanese turned the artistic form into a science. Japan is recognized today as the best koi breeders, today boasting as many as 13 color varieties!

    You may source the koi symbol from Chinese legend about a carp that successfully swam to the top of a large waterfall on Yellow River became a dragon. Thus, koi symbolizes power and bravery, and overcoming adversity. The koi and Samurai have been a symbols of bravery for similar reasons. Like the Samurai facing death by the sword, the koi likewise, lies still beneath the knife.

    KotoJazz 70: Water Features in Mini Garden

    There are two water features in this mini garden my brother designed which bring his garden to life — a natural looking wood plug-in mini waterfall and the black pebble dry creek and pond.

    With the water feature in the background and the black pebble pond in the foreground, he’s created a paradise in his small back yard with three Japanese maples – one purple lace maple to the right, a taller green Japanese maple providing shade to shade plants and flowers below such as hostas and Japanese irises, and a feathery lighter lace maple behind the water feature in the back corner of his space.

    The garden also uses a wide variety of ground covers, including one flowering mound of pink in the foreground next to the deck along with blue flowering groundcovers, giving rise to natural imagery. This Japanese mini garden works in this small space because all the plants chosen complement each other, and everything is proportionately sized correctly, including white mini lantern on the side.

    Koto Jazz 64: Balance in Japanese Gardens

    Japanese gardens seek to bring out the balance of the natural world. A key intent of Japanese gardens today is to replicate the natural world in smaller spaces; re-creating miniaturized versions of serene natural landscapes. In that re-creation, there are a few principles that bring across that image of balance, such as boundaries and regions that reflect the natural world.

    Boundaries include regions divided by grass areas, or dry gravel areas. These can be divided by pathways, borders, or water. These borders can be rounded or straight edged, but remain consistently one or the other within the same region. These also include water borders, such as waterfalls, dry creek beds, flowing streams, ponds, and lakes.

    A common number to create balance in the garden is the use of threes- three stones or three clumps of grasses. As a general rule, taller trees and plants are placed in the background, while shorter plants such as ornamental grasses and flowering plants are placed in the foreground.

    So long as the plants create a natural flowing space, the garden can be minimalist with very little foliage, or it can be lush with carefully placed grasses and flowering plants and shrubs. Both can be accented with lanterns in the foreground, or off to the side.

    A taller Japanese maple tree is always a good background for either approach, as are tall pogodas.

    Koto Jazz 56: Song Stories – Mount Index Ice Caves

    This new age musical tune was inspired by a hike with my friend Kim. We climbed to the ice caves at the summit of Mount Index off highway 2 just northeast of Seattle.

    The Mount Index ice caves were leaking typical eerie, echoing sounding drops of water melting off blue ice, which increasingly gathered and coalesced into more and more tributaries of water racing toward the opening of the ice caves. It is the beginning of the water cycle, passing beyond alpine lakes and converging with glacial streams and eventually, rivers racing toward the Pacific ocean.

    It’s one of my fun trance-like tunes of quirky frivolity reminding of the simple world we live in and the majesty of the basic elements that give us life.

    Koto Jazz 45: Water Garden Ponds

    Ike (池), or garden pond, has been accepted as an assumed part of the Japanese gardens, symbolizing a larger body of water, such as the sea or ocean. There are no restriction as to the size a pond can be; it really depends upon space availability. The pond or still body of water in a garden originates from China, where it is thought to represent feminine elements in the natural world, or the “yin” of yin-yang. Adding koi to the pond may presents a dramatic natural feel to wataer garden.

    The spiritual pond or body of water, or kami-ike (divine ponds), represents the Japanese Shinto spiritual belief that the pond in Japanese gardens are sacred. It has been a special place of prayer and meditation. As mentioned in KotoJazz 9: Islands of Japanese Gardens, the scene of ocean and sea occupying the majority of the garden space (“chisen”) originates from China. Groups of rocks on one or more sides of the body of water in the garden may represent the image of a seashore and/or mountains. If an island or stone island is placed in the pond, it represents a special divine place from where the kami came hahaguni (妣国).

    The pond is the centerpiece of numerous other Japanese garden features, including the following:]

  • Koto Jazz 24: Waterfalls/
  • Koto Jazz 40: Stream Gardens
  • KotoJazz 9: Islands of Japanese Gardens
  • Koto Jazz 18: Japanese Garden Bridges
  • Koto Jazz 7: Water, Water Everywhere
  • Koto Jazz 40: Stream Gardens

    The “winding stream garden”, otherwise known in Japan as yarimizu– is a key part of Chinese and Japanese gardens. The stream represents in Taoism the permanence of impermanence, ever flowing water that still remains the same. It has also been part of the other creative arts, such as poetry and painting in China and Japan. An important element of the stream garden are the creek rocks on the creek beds and aligning the shore lines, as well as stones and occasional bonsai- shaped pine trees and bushes, as shown in the photo above. This is an excavated and revived archaeological site of the Kyuseki stream garden in Nara, Japan. A natural stream or one recycled by a pump naturally leads into a pond, the image of a larger body of water such a lake or the sea.

    The Kyuseki stream and pond garden near the Imperial palace in Nara (Japan’s original capital), dates back to the 8th Century, according to the Bowdoin University website (see Bowdoin’s Japanese garden website. This suggests the origins of “a stream banquet” (kyokusui no en) during which guests attempted to come up with an original poem before cups of wine, set floating from a point upstream, and arriving at their position along the riverbank”, according to the Bowdoin University Japanese garden website.

    The Japanese garden is also derived from Buddhist divination principles, with the intention of carrying away evil while attracting good. To do this, the original Japanese garden design publication, Sakuteiki (Records of Garden Making), says the stream should cross the garden from East to West.

    In college at Sophia University, I remember reading Genji-monogatori (源氏物語 The Tale of Genji), about the Heian period festival which featured the kyokusui-no-en, the Feast of the Winding Stream. It is an annual springtime event even today at Mōtsū-ji Temple, Hiraizumi.

    More often than not, the Japanese garden stream is not a raging force, but a soft and gentle water flow for the contemplative nature of this type of stroll garden. Again, this offers a more meditative environment for reflection and connection to nature.

    Here is sample song I wrote with the same intention called Kuriku Iwa No Hamon.

    and Black Pine Bonsai

    Koto Jazz 29: Health Science & Shinto Spirituality

    For decades, nearly all credible sources, including the World Health Organization (WHO), continue to place Japan as the #1 healthiest country in the world, consistently recording the world’s highest life expectancy and lowest infant mortality rates, among many other statistical categories. Scientists and health experts have asserted this is due to their diet — consumption of omega- 3 seafoods and seaweed. Perhaps, this is part of the picture. In Koto Jazz 24- Waterfalls and Koto Jazz 28- Beyond Prophecy, I explored the spirituality of waterfalls and the connection of spirituality to nature and energy, a crude attempt to describe the relationship between science and spirituality. This journey continues here.

    I would suggest that the top contributor to Japan’s world health status is more due to its healthy Shinto spirituality (despite their ongoing depletion of natural beauty in their own country in the interest of development), and the sheer luck of their geography (abundance of waterfalls, oceans, and mountainous country that cannot be developed). Spiritually, scientifically, Japan is a Shinto- spirit filled country that takes seriously the “inter-connectedness” of our body– our body’s spiritual and physiological health– with the Natural world. It is also a country with a highly developed infusion of “Eastern medicine”; a medical community and insurance industry that supports Eastern medicine.

    I have explored the health benefits of how electric ions we may receive in the presence of ocean waves, waterfalls, or old growth forests supports our pH balance. If we have a low concentration of electrons in our bloodstream, medically referred to as Acidosis (high acidic pH) (see Acidosis on Wikipedia), being present in these natural environments may increase negative electric ions in our body. An abundance of these negative ions can improve the body’s immune system. In addition to waterfalls and old growth forests (which we have successfully depleted worldwide), alkaline foods such as vegetables and some fruits can contribute to our body’s pH balance, according to Oriental Detox (see link below). Metabolism, the process which provides nutrients to our body and cells, is reinforced by negative ions, while positive ions in our bloodstream weaken our cell’s metabolism and immune system, according to Oriental Detox. High acidity, positive electric ions in the body not only harms our immune system, our body’s ability to protect ourselves from illness, but it also substantially accelerates the aging process.

    To circle back to the Shinto worshipful reverence to Nature, it is only in our own personal, individual best interest to heed the call of our own inner, natural attraction to waterfalls, oceans waves, and old growth forests to replenish our bodies with the spiritual, physiological food we need to sustain our lives. Unlike the western approach to being “saved”, we can actually take action in our day to day decision making and choose to care for “the Temple of the Spirit” by giving it the spiritual, physiological food our bodies need.

    In a following blog entry, I will propose how the presence of audio music and sounds can provide similar spiritual/ therapeutic/ scientific and physiological health benefits in our lives.

    Koto Jazz 28: Beyond Prophecies

    My basic but paramount premise of going “Beyond Prophecies” is this– that there can only be a mass global spiritual transformation if it is achieved in parallel with the fusion of pre-existing spiritual/ religious traditions with each other. And I would argue that is already happening among east- west traditions in unprecedented ways, and it will continue until the leading religious traditions worldwide are substantively virtually indistinguishable.

    When I first read the international bestselling novel, The Celestine Prophecy (click on this link to find out more information about The Celestine Prophecy), I was captivated from beginning until end. Today, I explore the phenomenon behind Celestine Prophecy and its connection with the spirituality of the East. James Redfield, author of Celestine Prophecy, seems to touch on this connection in his more recent book, The Secret of Shambhala: In Search of the Eleventh Insight (Warner Books). Even beyond The Secrets of Shambhala and the 12- Insights of the Celestine Prophecy, there is an underlying “eastern” and scientific support of the general ideas behind The 12- Insights.

    Before delving into these points, the only drawback I see about this amazing book is that it is put into a western linear context. Is it out of place that we need this western linear context? Is not the intention behind the 12- Insights directly relating to freedom from linear thinking, freedom from context, and bringing us closer to the spirit of Shinto- Buddhist- Hindu traditions that have been evolving over thousands of years (in the case of Hinduism and Buddhism)? That this newly evolving spirituality in fact has been in existence in Eastern and Native spirituality for centuries, even millenia? Let’s give credit where credit is due.

    The goal of Hindu, Buddhist, Shinto spirituality has always been to practice mindfulness in every precious moment of life, which parallels the premise behind The Celestine Prophecy. In our mindfulness of the present moment, we are mindful of our healthy mind, or we are mindful of perhaps some unhealthy thoughts passing through, and our awareness allows us to observe them and allow them to engage or act upon, or let go and pass by. That said, I love James Redfield’s references to being guided in life by healthy intuitions and being in “synchronicity with the universe”. To quote Redfield, we can “put spiritual knowledge into very practical application to find a higher path through life.” Back to Eastern spirituality, we do this by mindfulness obtained through meditation, accountability (through programs such as the 12-Steps), and connection to the energy of the universe.

    ENERGY:
    Beyond the Prophecy (even the concept of prophecy itself), our life is also about energy – positive and negative. We choose one or the other in everything we do, everything we say, and even everything we don’t do or say. We receive this energy, positive and negative, from all natural forms including from our fellows. We replenish our bodies with negative ions from the air in small amounts, but particularly in the presence of moving water like ocean waves or a waterfall, or in a dense old growth forest where a high concentration of negative ions are known to be present. We may even be naturally drawn toward an urban designed water fountain, or the water feature in a downtown Japanese garden. Here is a brief summary of a Presbyterian minister- turned “Shinto” nature spirituality chaser, in Chasing Waterfalls, a blog by Ariane de Bonvoisin.

    Likewise, we often find ourselves in a euphoric state of inspiration when in the presence of these natural forms. Some endorphins may help create the euphoric state. The medically accepted fact is that negative ions in the body relieves stress, improves communication between nerves in nerve endings and improves the natural flow in muscle fiber, and thus reducing cramps. This suggests that spiritual energy can offer a scientific explanation, to a degree.

    MINDFULNESS:
    Likewise, we replenish our mind and spirit by continual deeper and sharper mindfulness (which elevates our intuition described by Redfield in Celestine Prophecy) – in one level, observing our thought patterns and discriminating the mind’s healthy and positive wanderings and its unhealthy and negative attitudes and tendencies. This mindfulness brings us back to increasing our ability to replenish our spiritual presence in this world, and thus, emit positive energy rather than negative or toxic energy. Our daily walk of life becomes an ongoing spiritual path of mindful meditation. I believe, a scientist will discover the connections between the wanderings and tendencies of meditative mindfulness as connected to the reinforcement or oppression of negative and positive ions present in the body. I personally have no scientific evidence of this as of yet.

    It is also a looking inward at the things about us we try to avoid and have the courage to face them, face our fears, and perhaps our darker side; not to condemn it, but to accept it but account for it, make peace with it, and let it pass. This allows us to free ourselves from the judgement, and the judging and the judged, which today drives so much of the modern world’s toxic behavior. Does the phrase “Do not judge, and you will not judged; forgive and you will be forgiven; give and it will be given back to you” ring a bell?

    So e Celestine Prophecy can be partially explained by our consciousness or mindfulness as it is known in Buddhism and empirically, with our own energy and how it affects the world around us and the people around us.

    More to come . . …

    KotoJazz 26: Water Basins

    Short and wide water basins are for the humble, literally. Water basins of this type moves the user to bend down to the earth in humility to wash or drink the water. Most all Japanese water basins are made of stone and serve both a functional and aesthetic purpose. Like the stone basin pictured above, this Japanese tsukubai water basin can be placed in a dry pool bed of black pebbles for distinctive visual effect. Originating from Buddhist purification basins (called chozubachi), water basins were used to cleanse the temple visitor before entering a Buddhist temple. This is also true of Shinto shrines, and during preparation for traditional Japanese tea ceremonies. A Japanese tea garden ladle is often used to scoop up water from the stone basin to drink or wash hands.

    The kiku (chrysanthemum) granite water basin is popular among the stone basins, as it is shaped like a chrysanthemum flower. To add to the aesthetic beauty, the most common way to add the image and sound of flowing or trickling water is by adding a bamboo kakei water spout (as pictured above). Kakei in this case can mean beautiful view or flowing water system.

    Here are a few pieces about flowing water and water basins:

    Nagare: Stream/ Flow, by Satomi Saeki

    Drawing Water From a Mountain Stream, by Elizabeth Falconer

    Koto Jazz: Kuriku Iwa No Hamon (Ripples On Creek Rocks)- by Kenji (short sample)

    Koto Jazz: Rain drops from Trees, by Kenji

    Koto Salad, by Chin Chin

    The Sound of Water, by Izumi Fujikawa

    The Room: The Water Basin, by Bennett Lerner

    Where Peaceful Water flow, by Chris De Burgh

    Medicine Waters Flow, by Albert Tenaya