Tag Archives: Zen

Koto Jazz 94: Lines in Zen gardens

  • Chokusen-mon – A symbol of power and discipline; straight lines across a gate, trellis, or raked into the gravel.
  • Kyokusen-mon – A symbol of water; stream patterns such as a meandering dry creek rock leading to a water feature or dry pond.
  • Ryushi-mon – walking paths or trails; stream patterns that do not meander
  • Ren-mon – Patterns in gravel that look like ripples in water, often created by raking techniques in a zen garden.
  • Maru-uzu-mon – Patterns that look like water drop waves.
  • Shokubutsu-mon – Plant patterns; such as sets of three ornamental grasses, or alternating flowering plants or bushes.

 

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KotoJazz 90: Dry Creek Rocks

A dry creek is often preferred over a creek with flowing water. It provides the visual effect of flowing water, and doesn’t require the maintenance of a flowing stream. In this case, using black creek rocks offer a striking color contrast to the green ground covers.

The sound of flowing water can be experienced by adding a simple recycling water feature, such as the mini waterfall toward the back of this mini garden.

This landscaper uses a few types of flowering ground covers along the black dry creek in the foreground accented with Japanese maples in the background.

There are three types of Japanese maples featured here. Two Japanese purple lace maples in the foreground and far rear and the canopy created by the taller green moonlight maple in the center.  Variegated hostas, an azalea, tulips, a calla lily, and mock bamboos offer nice fill ins for variety and balance.

Namaste: Living Words of Wisdom

I like the term namaste originating from Hindu Yoga spiritual practice. Here are some meanings –

The spirit within me bows to the spirit within you.

I greet that place where you and I are one.

I honor the place in you which is of love, of truth, of light and of peace.

http://www.livingwordsofwisdom.com/definition-of-namaste.html

 

KotoJazz 88: Low Budget Area Garden Design

A work- in- progress of my Japanese garden in the front yard, including a dry creek rock garden, featured stones, lantern, bamboo borders, Japanese lace maple, yellow, black and red grass, various ground covers and mosses, irises and crocosmias, succulents, smoke tree, salvia, asters, rhodedendrums, 3 types of helleborus, 4 types of heucheras, painted ferns, razer and licourish ferns, and the featured "dragon" weeping blue spruce pine.
A work- in- progress of my Japanese garden in the front yard, including a dry creek rock garden, featured stones, lantern, bamboo borders, Japanese lace maple, yellow, black and red grass, various ground covers and mosses, irises and crocosmias, elderberry, succulents, a smoke tree, salvia, asters, rhodedendrums, 3 types of helleborus, 4 types of heucheras, painted ferns, razer and licorice ferns, and the featured weeping “dragon” blue spruce pine.


60-80% of a garden’s beauty can be made from resources already available around your home or among friends. Remember, nature offers its own beauty that may only need minor enhancements. I personally don’t care for regularly maintaining a yard, especially constantly mowing lawns. It just brings out the sneezing in me. Lawn mowing is among the world’s biggest wastes of water and consumes unnecessary time in my lazy, stubborn opinion. Frankly, it offers no creativity or inspiration of natural beauty.

AREA GARDENS:

We start with creating a garden image in your head. Imagine an idyllic beautiful scene in your head. Then, dig a space of dirt, any shape you want it to be. Apply that idyllic scene to this bare space. First, simply turn over the grass and put it upside down, occasionally scraping off the loose dirt to further expose the grass roots, so the grass is certain to die. Then, take cedar droppings from underneath cedar trees in the back yard and spread it throughout the dug out space. Cedar is highly acidic and will largely reduce if not eliminate the need for weeding the area garden space. Not much of anything can grow under cedars; maybe a few rhodies (rhododendrons) which thrive in acidic soil.

In the case of the above pictured garden, I dug out the entire side of the front yard off of the concrete path. I left a few “accents” of grass to provide lining for the area garden’s borders. These can be easily held at bay with an occasional weed whacking. If you want you can raise the garden, which I did for the area garden beyond the concrete path toward the top of the above photo. You can raise it as much as you like by simply adding more soil to the area and more mulch. I moved the rhody from another part of this house where it was hidden away, and is now featured in the raised garden. A general rule when creating your own garden is to place the larger items –  bushes, trees, or stones – toward the back, while shorter smaller flowers and plants should be placed toward the front. As a taller, larger bush, the rhody serves as an attractive back drop to this area garden.

BORDERS & HIGHLIGHTS:

Here is a dry creek pond around the tree, beginning a dry creek meandering along round stone steps which continue along the side of the house to the back yard. We have a fucia in full bloom and a japanese maple in blue pots in the foreground, a reddening sumac to the left, three hydrangeas (white, pink and blue), a Japanese anenome next to the sumac, a light evergreen bush next to the featured stone creating the affect of an island, a white drooping Japanese pine to the right along the mound, sword fern, and five different types and colors of heucheras.
Here is a dry creek pond around the tree, beginning a dry creek meandering along round stone steps which continue along the side of the house to the back yard. We have a fucia in full bloom and a japanese maple in blue pots in the foreground, a reddening sumac to the left, three hydrangeas (white, pink and blue), a Japanese anenome next to the sumac, a light evergreen bush next to the featured stone creating the affect of an island, a white drooping Japanese pine to the right along the mound, sword fern, and five different types and colors of heucheras.

It’s always nice to have borders for the area garden so as to define its space. Borders can be stone, bricks, slate, wood, bamboo pieces, even plants. In this case, I used stones found in the ground when digging out the garden area. As for the larger boulders highlighted around the rock creek, I was fortunate to find a friend who was excavating a part of his property and was trying to get rid of these beautiful blue-hued boulders (with more to come in later phases).  These boulders give the impression of a mountainous terrain with a valley carved  out by a rolling creek. Reinforcing this mini- mountain  scene is the meandering  creek. I place various types of sheet moss, tree moss, and fern moss on the north, more shaded side of the garden area. Eventually, all dirt areas you see in the garden will display a plant, fern, moss, or ground cover of some type to add personality.

DRY CREEK:

The dry creek appears to naturally flow between the larger boulders. Each boulder enforces a bend in the creek, as it does in natural creeks. Large creek rocks are generally placed toward the outer borders of the creek, while smaller rocks are toward the center, again mimicking these natural occurrences in nature. The creek narrows and appears to flow into a small lake in the foreground toward the street. I recommend using black creek rocks if available; otherwise, the varied colored rocks will do. To make the dry creek, I dug out the space and put in a thin layer of cedar mulch, then a thick layer of sand to prevent weeds from growing in the creek rock. Soon to come will be a natural stone recycling water feature at the beginning of the dry creek.

aviary-photo_131187409183508298

FLOWERING PLANTS & THINGS:

As for the flowering plants and things in this area garden, I looked for anything that might complement the “bones” of these area mounds. Fortunately in the Pacific Northwest, there are lots of plant life growing everywhere, some considered weeds in some circles. For example, ferns, wild white flowering heuchera, crocosmia, and wild blue bells grow like weeds in this region, but one can never get enough of their natural beauty.  I placed the wild heuchera on the north side and underneath the rhody where it thrives in shady areas. I scatter the wild crocosmias, blue hyacinths, and blue bells unevenly throughout the area gardens to reinforce the natural look. The blue bells and hyacinths  will flower in the spring while the crocosmias flower in late summer into autumn. I also have a relative of the ‘lamb’s ear’ ground cover which grows wild here and flowers a gorgeous deep magenta flower at the ends of each antler-like stem. I also have another ground cover that emerges a bouquet of hundreds of tiny white bulbous flowers during the summer and autumn seasons. I plan to add various types of ornamental grasses in addition to the Japanese red grass and the yellow bamboo grass clumps around the garden areas.

I have shoots of Japanese red grass planted to the side of the weeping blue cedar, tulips and other bulbous flowers not yet blooming scattered around the area gardens as well. I was gifted a rosemary to add a year round pungent aroma and a gorgeous orange rose bush.

A work- in- progress of my Japanese garden in the front yard, the garden includes two dry creek rock gardens (one in the foreground of the featured image and the other in the background as a minimalist Zen garden), featured stones, lantern, bamboo borders, a Japanese lace maple, a coral bark maple, yellow, black and red grass, various ground covers and mosses, irises and crocosmias, an elderberry, succulents, a smoke tree, salvia, purple asters, rhododendrons, anenome flowers, echinacea, 3 types of hellebores, 4 types of heucheras, painted ferns, shark tale, razor and licorice ferns, and the featured weeping “dragon” blue spruce pine in the foreground.

kenji-win_20160928_114305

PURCHASED HIGHLIGHTED ITEMS:

The low budget provided for a few highlighted features, such as the Japanese lantern, Japanese coral bark maple, the weeping blue “dragon” cedar, Chinese purple lantern flowers, two red dogwood bushes, and a few ground covers such as English daisies, heucheras, and grasses. Outside of sweat equity, the total budget was a remarkable mere $141! For the future, I plan to add another raised garden across the walkway in the front, mock bamboo, a Japanese purple lace maple, ornamental grasses, and maybe a rare plant such as an aromatic variegated pink daphne, a cone flowering hydrangea, Asian tiger lilies, or a few exotic pink or magenta Japanese anemone flowers. The blue pots can feature beautiful maples such as local vine maples, or anything that requires a controlled environment such as bamboo.

 

Japanese style rock creek garden
Japanese style rock creek garden in the making.
The "Before" photo - What the garden looked like before moving into the house.
The “Before” photo – What the garden looked like before moving into the house.

What makes a Japanese garden ?

From garden paths to architecture, fences, gravel patterns, and types of plants, this website details key distinctions of what makes a Japanese garden-

http://www.japanesegardens.jp/

 

Seattle’s Biospheres – Exclusive Connection to Nature?

Because “Amazon employees need connection to nature” (geekwire quote). Yes. We all need connection to nature; it connects us to ourselves. Hopefully, parts of it will be accessible to the general public –

http://www.geekwire.com/2016/amazon-biospheres-will-happen-inside-giant-glass-orbs-company-building/

The most recent news as of July 26 by the Seattle Times is that there will only be opportunities for public visits. Specifics  are not yet available. Generally, the space is closed to the public, though much can be viewed from the street.

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The Relevance of China Xi Jinping’s Visit & Yom Kippur

Yom Kippur sends a powerful message of forgiveness, service and charity that I hope some day will be the touchstone of our nation, at least as much as other holidays. It is a time of relevance- when “the stone the builders rejected becomes the cornerstone.” It is a time of making relevant what should be relevant – the visit to the Seattle area of China President Xi Jinping; the visit of the first Jesuit Pope to the states. All of this is relevant to today’s modern puzzle. I’ve seen mockeries of the contrast between the two – the Chinese President’s message of business and trade versus the Popes message of love? People calling it a joke at the expense of the Chinese President? Do not forget he comes from a regime that helped take hundreds of millions of people (pushing 600 million people) out of poverty in China. It’s not perfect. Do you know of any political or non-political regime in human history to have done so much? Does it have to be a comparison between the two?

It’s historic they are both here to bring world attention to important matters. That said, I would take away their visits in exchange for a nation who celebrates the Jewish New Year every year, sets down its work on the sacred day of rest on Yom Kippur (this last Tuesday-Wednesday) and contemplates and prays for the power of atonement in our lives. I know I need it desperately in my life. Most Americans don’t know what Yom Kippur means. Don’t forget – this Christian nation – your church’s founder, the good Jew from Nazareth? He not only celebrated Yom Kippur, he lived it.

KotoJazz 80: Mini Garden Simplicity

Here is a mini garden I started below a pink flowering dogwood that blooms fabulously in the spring (see picture below). In the tradition of Japanese gardens, the intent is to create patterns of paradise scenes often seen in the natural world. I spent a total of $7-8. Much of the splendor of this garden will not be fully seen until next year or the following year when the plants have fully grounded into their new homes [also, the strawberries on the right (photo above) will need to be replaced by moss or ground cover].

Pat'sDogwood

This mini garden features a simple rock creek flowing down from the a tall stone representing a mountain. The “mountain” stone is surrounded by large rocks or rounded mountains/ front range hills leading up to the cathedral- like mountain. Flowing from the “mountain” stones is the dry creek rock bed, with the visual effect of a true flowing mountain stream of water. Note that at each turn there are larger stones which is common in creeks. These help re-direct or guide the creek in another direction, reinforcing the natural occurrences seen in nature. The dry creek spreads wide at its base, suggesting it has reached more level ground, or perhaps a lake.

The white lantern is placed on the side of the hill surrounding by sheet moss I found in shaded areas of the yard. In the spring, I plan to add a stunning gorgeous version of moss toward the background area called the hair cap moss. There are two transplanted ferns, one in front of the lantern, and one behind the stone mountain. Though hardly noticeable today, these ferns will show a full display of leaves next spring into summer. The fern in the foreground is a common tassel fern which will experience minimal growth in size, while the sword fern I planted behind the mountain stone will grow to a size potentially twice the height and size of the mountain stone.

Other plants include a few strawberry plants in the foreground (not recommended; these were pre-existing plants placed there by the owner) and a spider flower to the left which flowers a resplendent deep purple in the late spring to early summer, and is now passed its prime and going dormant for the fall season. Also to the left showing simple iris-like leaves is the common orange crocosmia, which grows naturally throughout the Pacific Northwest. Finally, for effect, I planted the Acorus cascading yellow grass. The acorus next year will be a bright yellow cascade that will contrast nicely with this shaded area. There are two in the foreground. These are off shoots, so will not show their true cascading splendor until next summer.

An Evening of Elegance: 55th Anniversary Garden Party at the Japanese Garden

This anniversary party was filled with positive interactions with the attendees between breaks and after my performance. It’s always a wonderful opportunity to meet new people intrigued by and find enjoyment from my music, but on a broader level, Japanese culture. It’s so good to be connected to such a wonderful, kind, generous, forgiving, and loving community in Seattle.

As I played the third song of the night, Tomio Moriguchi, otherwise known as “Mr. Uwajimaya”, came up to me and said he loved the first piece I played, Sakura, and of course I obliged to play it again. A true honor to have known you Tomio through the years, first meeting you in the early 90s karaoking with you and the late Joyce Yoshikawa at Bush Garden, getting caught up at the Bon Odori through the years, your reminders of how much you appreciated my sister Kimberley’s summer JAS programs with your family (yes Kimberley, Tomio asks about you every time!) and now, how could one not play a song for your memory in such a magical setting as Seattle’s Japanese garden! For the person who quite possibly brought more Japanese food and gifts to America than anyone in America! Domo, domo, domo. The people of Seattle’s Japanese Garden, so many of the attendees such as Tomio, The Sasakis (Cherry Blossom Festival and Fujima Fujimine Dance Ensemble) have colored this city of Seattle with the beautiful wonders of Japanese arts and culture for which I am eternally grateful.

Seattle Japanese Garden, University of Washington Arboretum
Setting up at the Seattle Japanese Garden, University of Washington Arboretum

University of Washington Arboretum Japanese Garden
University of Washington Arboretum Japanese Garden

The koto tunes I played at this event were:

  • My Sakura,
  • Haru No Umi (The Sea in Springtime),
  • Tori No Yo Ni (Like A Bird),
  • Aki No Hou (Toward Autumn Season), and
  • Tide Pools And Waves (Shiyodamari to Nami).
  • Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.


    I was immediately followed by a traditional Japanese dance by Fujima Fujimine Dance Ensemble (pictured here):

    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum.
    Seattle Japanese Garden 55th Anniversary garden party, University of Washington Arboretum. I saw familiar faces at the event, including Tazue Sasaki of the Fujima Fujimine Dance Ensemble, her husband Yutaka Sasaki, and members of the Japanese Consulate.

    Koto Jazz 73: Kubota Gardens

    Spring into Summer has sprung and it’s time to visit your favorite outdoor places! The Kubota family created a stunning beautiful Japanese garden with mountainous waterfall landscapes, serene koi ponds, and a Zen garden in South Seattle. It is a gardens where many of my musical pieces were first inspired (Kubota Birds Water Dance and Raindrops Fall from Trees, for example). To me, the legacy leaves us much more. Fujitaro and family, including Tak and Tom, were interned at the Minidoka camp in Idaho during World War II, and came home to Seattle to say “I forgive” by presenting the City of Seattle with one of the premiere Japanese gardens in the Northwest. It is the former home of the Kubota family and their landscape business. Kubota Gardens may be the largest Japanese garden in North America and offers 22 acres of rolling hills, natural springs, and hiking/ walking trails, and of course, beautiful landscaped gardens. More information is available at http://www.kubotagarden.org/.

    KotoJazz 69: Yellow Ornamental Grasses

    Probably due to their unique and resplendent colors, I would say there are two top Japanese ornamental grasses that rival each other in popularity – the Japanese red blood grass and Japanese yellow forestgrass.

    Of the two, only one is indispensable to a complete Japanese garden image – the forestgrass. In addition to its bright yellow hue, the Japanese forestgrass displays as a flowing cascading ornament unmatched in the world of grasses.

    Varieties of yellow hairgrass and sedgegrass are more hardy versions. They can be used to accent a garden or garden area with a simple placement in the foreground of any garden area as pictured above.

    Koto Jazz 68: Mini Garden

    Simplicity is my theme here in this basic mini- garden in Boulder, Colorado. A total of only $10 was spent on this serene mini scene. While space is not as much a premium in the vast expand of this globally trend-setting Rocky Mountain city, I still brought my creative miniaturization impulses with me from the Pacific Northwest city life. This mini garden replaced a common area lawn that had completely died away.

    I seek to capture the surrounding area using local assets such a variation of rock and stones, elegant spacing, mini flowering bulbs such as dwarf tulips and mini- daffodils, along with naturally growing ground covers such as violets and forget-me-nots. Being in this semi-arid region that boasts 320-plus days of sunshine a year, it also helps to add a few desertous (new word) plants as accents to the mini garden image. These include a bonsai-style and shaped juniper in the background, and an ornamental grass off to the left.

    I used pinkish- white marble rocks to outline the plants and stones in this mini-garden. I also created a mini dry creek that meanders from one end of the mini-garden to the other to give it a natural flow. Finally, I made a pretty rough but natural lantern out of local stones and a brick. The beauty of mini-gardens is that they fit into spaces of just about any size. 🙂

    KotoJazz 67: Spacing in Gardens

    Probably the most well known concept around spacing in gardens is Mel Bartholomew’s “Square Foot Gardening”. This first and foremost applies to vegetable gardens, but can be applicable to spacing in ornamental gardens as well. Here is an exploration of spacing for garden designs.

    All plants ornamental or otherwise, need space to grow, and a minimum of twelve inches apart is generally a good growing space principal. Open spaces are critical, especially in dry Zen gardens where open spaces represent the open sea. In Japanese gardens, open spaces are often the center piece of Japanese gardens, while plants and stones provide the backdrop or outline.