Tag Archives: inspiration

Local Talent Mark Goldberg & Koto Jazz Live @ Mill Creek Newsroom, Sat. May 19th

MarkGoldbergPosterJoin Mark Goldberg and myself, Koto Jazz, for a relaxing evening of live music at the Mill Creek Newsroom, 800 164th Street, SE, Mill Creek, WA 98012; #425-361-1949.

Date: May 19, 2018, Saturday,

Time: 7-9 pm,

Who: popular local talent Mark Goldberg and Koto Jazz by Chris Kenji.

Venue: Mill Creek Newsroom Gelato and Coffee House, 800 164th Street, SE, Mill Creek, WA 98012; #425-361-1949. No cover.

RSVP here, https://www.facebook.com/events/2126666407565529/.

 

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2018 Cannon Beach Spring Unveiling Festival

Inspiring art everywhere was enough to help me push through a rather long two hour at times choppy, and sometimes humbling performance. In the end, it was good enough, and sometimes that just has to do.

Thanks to Paul Deuber, Cannon Beach Chamber of Commerce, and the Cannon Beach Gallery Group for debuting their first year of music along with artistic works featured by over 20 art galleries in this small town rated by National Geographic as one of the top 20 beach resorts in the nation.

I introduced three new songs recently written in the spring of 2018 and played for the first time in public, and here are excerpts of these songs listed as the first three songs on the following web page:

http://www.soundclick.com/bands/page_music.cfm?bandID=1382715

1) Wellspring
2) Repercussions
3) Getting away from the Blues

I’d love your feedback.

Enjoy the unveiling of spring in all is manifestations.

Spring Schedule Set -NW FOLKLIFE, CB Arts Fest, & Grumpy D’s

Playing at Grumpy D’s Coffee House in Ballard, where I lived in my 20s, is like coming home. The Cannon Beach Unveiling Arts Festival is coming up Saturday, May 05 where I play at Ecola Square, 1:45-3:45pm, Mill Creek Newsroom with Mark Goldberg and Koto Jazz May 19, 7-9pm, and then the Northwest Folklife Festival on May 27 at the Seattle Center’s CenterHouse Theater.

folklife-festival-2018-logoThe NW Folklife schedule is here: https://2018northwestfolklifefestival.sched.com/event/EfnM/koto-jazz

Here are a few samples from that gig on April 06:

 Tori No Yo Ni (“Like a Bird”), Live @ Grumpy D’s Coffeehouse, Ballard neighborhood in Seattle, Washington performed April 06, 2018:

 Wellspring, Live @ Grumpy D’s Coffeehouse, Ballard neighborhood in Seattle, Washington performed April 06, 2018:

Flurry of down home story telling @ the DEN in Bothell…

Every song has a story. Remember the end of season snow storm we had (south Seattle) in May 2017? I played this song, Snow Flurry, for the first time on that day.

Below is a full song list for the live piano gig on at Saturday, December 16, 2017 below. The feature song of the night is the following video of “Snow Flurry”:

  1. Tide Pools & Waves
  2. Tori no Yo Ni (Like a Bird)
  3. Mount Index Ice Caves
  4. Snow Flurry
  5. Kojo no Tsuki (Moon Over Ruined Castle)
  6. Snow Blossoms

 

KotoJazz @ Jeffrey Hull Gallery, Nov. 3

 

Beautiful water color and oil paintings, by Jeffrey Hull Gallery, Cannon Beach, OR. Visit the gallery at 172 N. Hemlock St., downtown Cannon Beach, and join me for some KotoJazz at 5pm, Friday, November 3rd. Visit  http://www.hullgallery.com/the-30th-annual-stormy-weather-arts-festival/

Koto Jazz Piano at Japan Fair 2017, July 8 & 9, 2:30pm – 5pm; Annual Dinner, Sat. July 8, 6pm

Come join me at what promises to be an enjoyable event that offers you a visual introduction to all things Japanese. This includes a colorful fashion show to original Japanese performance by famous Kokyu performer Daikuke Kiba and my own variations on 1,000 year old Japanese koto music played on the keyboard. These include Haru no Umi, Tori no Yo Ni, and Kojo no Tsuki. I will also play my originals including recent art show selections Windy Wheat Fields and Snow Blossoms, and hyper fast Snow Flurry.

Sample previews are available here: https://kotojazz.wordpress.com/2017/03/27/sanger-de-christo-arts-center-represents-the-west-with-classy-exhibit/

 

Sangre de Cristo Arts Center “Represents the West” With Quality Exhibit

The Sangre de Cristo Arts Center in Pueblo, Colorado showcases a stellar presentation, professional art exhibit “Representing The West”. My music was selected among 550 artists as part of the digital media section:

Song 01: Windy Kansas Wheat Fields

Song 02: Snow Blossoms

Song 03:  Snow Flurry

04: metamorph senses CD

In and Around the “Representing the West” Exhibit:

Out and About the Sangre de Cristo Arts Center:

Koto Jazz tune 91: Creating a free form, “chaos” music

Indeterminate music happens when a musician creates a base melody, and leaves the rest to spontaneous chance and free flow of expression. Instead of the musician taking the driver’s seat, the musician surrenders to letting the music take the driver’s seat; take the musician wherever it leads. It was first practiced by John Cage and Brian Eno say some, but this type of creative expression has been around since the first music was created.

In the mid- and then late 1900s, it has been made into somewhat of a classification of its own. Indeterminate music, a “composing approach in which some aspects of a musical work are left open to chance or to the interpreter’s free choice”, according to Wikipedia.

With that, here is an attempt to create some form around it. First you have the music piece itself. This music can itself take on its own life and expression around its main themes – deter, detract, explore outside of its originating themes, chordal structure and basic musical patterns – and then later return to those main themes. In fact, the whole idea of “indeterminacy” means it does not necessarily need to return to the original themes. It just seems to help the listener connect to the music more effectively, to hear some semblance of familiarity with the musical score.

Systems based indeterminate sound seems to have its own characteristics and tendencies. It takes advantage of all the ways of changing an original score. These include:

  1. Modulate
  2. Reverberations
  3. Delay
  4. Compress
  5. Distortion

A truly indeterminate music piece can not only deter off the main themes, but it also may modulate, reverberate, delay, compress, and distort at any given part of the music piece. This indeterminacy might have a connection with the concept of “chaos jazz” I’ve discussed in previous blogs entries on Kotojazz; e.g., Li Pui Ming’s style of jazz.

Chaos variations of known music scores have been a topic of intrigue at various times and places. For example, Diana Dabby an MIT graduate in electrical engineering sought to make the connection between music and math, including using “math to create new musical ideas.” Beyond that, using math to generate inspiration and far reaching creativity. “The principles of her work have now been used to create new dance “chaography” and even a chaotic remix of Lewis Carroll’s ‘Alice’s Adventures in Wonderland,’ according to a 2013 article about her in t he Boston Globe (see “What a little chaos does for music”). Her works refer back to Ilya Prigogine’s “chaos theory” in physics and mathematics. The article says that in mathematics, “‘chaos’ is actually the result of a system that is evolving according to set rules”, even though it often does not appear that way. The reason chaotic systems seem so unpredictable and random is that they are “sensitive to slight changes in initial conditions, commonly referred to as the butterfly effect”. So too, the “butterfly effect” applies to music as well. These are the makings of the “nonlinear dynamics”, as explained in the article by Dabby’s associate and University of Colorado, Boulder professor Liz Bradley. Just as musical expression challenges people to explore their deepest most personal secrets, music will find its way to unleash all of it and more. So in this sense, it is a reflection of our self awareness and what I believe we refer to as spirituality.

 

 

 

 

Koto Jazz Tunes 90: 2 Originals “Represent the West” @ Sangre de Cristo

Another stroke of luck. In January – March 2017 two of my original Kotojazz tunes are recognized as “Representing the West” at the Sangre de Cristo Arts and Conference Center annual exhibit. These are pure new age Americana folk songs. “Snow Blossoms” was inspired by the blue violets peeking through melting snow on a sunny winter day along Boulder Creek trail in  Boulder, Colorado. “Windy Kansas Wheat Fields” was inspired by strong wind blowing over fields of grass and wheat creating a steady undulating flow like ocean waves. You can see the wind blowing through wheat fields in eastern Colorado and Kansas. Both feed our souls, in their simplicity and stillness (snow blossoms) and their awesome enduring power (windy Kansas wheat fields).

I am reminded that the “The wind blows where it wishes and you hear the sound of it; you know neither from where it comes nor to where it goes, and so it is with the Spirit.”

Previews of these songs are available here:

http://www.cdbaby.com/cd/chriskenjibeer5

 

metamorph senses (new CD release & a koto jazz tune)

This new CD mostly live production was crazy, experimental fun – anchored by a few George Winston covers, a touch of Narada/ Silver Wave- style new age, a koto jazz tune, and some “off the beaten path”, eclectic wacko improvisations . . . and you have a metamorphosis of the senses –

http://www.cdbaby.com/cd/chriskenjibeer5

metamorphsenses_final02

 

Namaste: Living Words of Wisdom

I like the term namaste originating from Hindu Yoga spiritual practice. Here are some meanings –

The spirit within me bows to the spirit within you.

I greet that place where you and I are one.

I honor the place in you which is of love, of truth, of light and of peace.

http://www.livingwordsofwisdom.com/definition-of-namaste.html

 

Seattle’s Biospheres – Exclusive Connection to Nature?

Because “Amazon employees need connection to nature” (geekwire quote). Yes. We all need connection to nature; it connects us to ourselves. Hopefully, parts of it will be accessible to the general public –

http://www.geekwire.com/2016/amazon-biospheres-will-happen-inside-giant-glass-orbs-company-building/

The most recent news as of July 26 by the Seattle Times is that there will only be opportunities for public visits. Specifics  are not yet available. Generally, the space is closed to the public, though much can be viewed from the street.

 posted from WordPress for Windows Phone

“Breach” – Live Koto Jazz & the SyntHorn @ The Royal Room; NW FOLKLIFE Next

Here is a live recording of a tune I first played at Stone Way Café’s Fremont Art Walk on April 1st, then recorded live at The Royal Room on April 13th with Koto Jazz accompaniment by Patrick Wilson on the SyntHorn –

🎶  “Breach”, by Chris Kenji & Patrick Wilson.

 

Koto Jazz on soundclick.com

 

Join me and Koto Jazz partners next week in Pioneer Square and Northwest Folklife –

April 29th, 7-8:30PM, Saturday, Koto Jazz @ FREDERICK HOLMES AND COMPANY Art Gallery, 309 Occidental Ave., Occidental Mall, Pioneer Square, dowtown Seattle; #206-682-0166.

May 27, 4:30- 5:10 PM, Friday, 2016 NORTHWEST FOLKLIFE;“Koto Jazz – Sounds On the Coast” by Chris Kenji, Center Theater, Seattle Center, Seattle WA. No cover

Koto Jazz 74: playing @ 101 Public House pub

Half time playing a piano gig at the pub in South Bend/ Raymond, the oyster capital of the world. And two Koto Jazz fans! This was so much more relaxing than a few weeks ago when I played at the Seattle Center. Ahhh, the taste of the ocean air , a couple koto jazz tunes . . .. and more oysters . …

Koto Jazz 68: Mini Garden

Simplicity is my theme here in this basic mini- garden in Boulder, Colorado. A total of only $10 was spent on this serene mini scene. While space is not as much a premium in the vast expand of this globally trend-setting Rocky Mountain city, I still brought my creative miniaturization impulses with me from the Pacific Northwest city life. This mini garden replaced a common area lawn that had completely died away.

I seek to capture the surrounding area using local assets such a variation of rock and stones, elegant spacing, mini flowering bulbs such as dwarf tulips and mini- daffodils, along with naturally growing ground covers such as violets and forget-me-nots. Being in this semi-arid region that boasts 320-plus days of sunshine a year, it also helps to add a few desertous (new word) plants as accents to the mini garden image. These include a bonsai-style and shaped juniper in the background, and an ornamental grass off to the left.

I used pinkish- white marble rocks to outline the plants and stones in this mini-garden. I also created a mini dry creek that meanders from one end of the mini-garden to the other to give it a natural flow. Finally, I made a pretty rough but natural lantern out of local stones and a brick. The beauty of mini-gardens is that they fit into spaces of just about any size. 🙂