Category Archives: jazz koto

Stormy Weather Arts Festival Sees Sunny Days

Here are more pix from the Stormy Weather Arts Festival, November 3-5, 2017; at the Jeffrey Hull Gallery and the next day at the Coaster Theater.

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KotoJazz @ Jeffrey Hull Gallery, Nov. 3

 

Beautiful water color and oil paintings, by Jeffrey Hull Gallery, Cannon Beach, OR. Visit the gallery at 172 N. Hemlock St., downtown Cannon Beach, and join me for some KotoJazz at 5pm, Friday, November 3rd. Visit  http://www.hullgallery.com/the-30th-annual-stormy-weather-arts-festival/

Koto Jazz Piano at Japan Fair 2017, July 8 & 9, 2:30pm – 5pm; Annual Dinner, Sat. July 8, 6pm

Come join me at what promises to be an enjoyable event that offers you a visual introduction to all things Japanese. This includes a colorful fashion show to original Japanese performance by famous Kokyu performer Daikuke Kiba and my own variations on 1,000 year old Japanese koto music played on the keyboard. These include Haru no Umi, Tori no Yo Ni, and Kojo no Tsuki. I will also play my originals including recent art show selections Windy Wheat Fields and Snow Blossoms, and hyper fast Snow Flurry.

Sample previews are available here: https://kotojazz.wordpress.com/2017/03/27/sanger-de-christo-arts-center-represents-the-west-with-classy-exhibit/

 

Koto Jazz tune 91: Creating a free form, “chaos” music

Indeterminate music happens when a musician creates a base melody, and leaves the rest to spontaneous chance and free flow of expression. Instead of the musician taking the driver’s seat, the musician surrenders to letting the music take the driver’s seat; take the musician wherever it leads. It was first practiced by John Cage and Brian Eno say some, but this type of creative expression has been around since the first music was created.

In the mid- and then late 1900s, it has been made into somewhat of a classification of its own. Indeterminate music, a “composing approach in which some aspects of a musical work are left open to chance or to the interpreter’s free choice”, according to Wikipedia.

With that, here is an attempt to create some form around it. First you have the music piece itself. This music can itself take on its own life and expression around its main themes – deter, detract, explore outside of its originating themes, chordal structure and basic musical patterns – and then later return to those main themes. In fact, the whole idea of “indeterminacy” means it does not necessarily need to return to the original themes. It just seems to help the listener connect to the music more effectively, to hear some semblance of familiarity with the musical score.

Systems based indeterminate sound seems to have its own characteristics and tendencies. It takes advantage of all the ways of changing an original score. These include:

  1. Modulate
  2. Reverberations
  3. Delay
  4. Compress
  5. Distortion

A truly indeterminate music piece can not only deter off the main themes, but it also may modulate, reverberate, delay, compress, and distort at any given part of the music piece. This indeterminacy might have a connection with the concept of “chaos jazz” I’ve discussed in previous blogs entries on Kotojazz; e.g., Li Pui Ming’s style of jazz.

Chaos variations of known music scores have been a topic of intrigue at various times and places. For example, Diana Dabby an MIT graduate in electrical engineering sought to make the connection between music and math, including using “math to create new musical ideas.” Beyond that, using math to generate inspiration and far reaching creativity. “The principles of her work have now been used to create new dance “chaography” and even a chaotic remix of Lewis Carroll’s ‘Alice’s Adventures in Wonderland,’ according to a 2013 article about her in t he Boston Globe (see “What a little chaos does for music”). Her works refer back to Ilya Prigogine’s “chaos theory” in physics and mathematics. The article says that in mathematics, “‘chaos’ is actually the result of a system that is evolving according to set rules”, even though it often does not appear that way. The reason chaotic systems seem so unpredictable and random is that they are “sensitive to slight changes in initial conditions, commonly referred to as the butterfly effect”. So too, the “butterfly effect” applies to music as well. These are the makings of the “nonlinear dynamics”, as explained in the article by Dabby’s associate and University of Colorado, Boulder professor Liz Bradley. Just as musical expression challenges people to explore their deepest most personal secrets, music will find its way to unleash all of it and more. So in this sense, it is a reflection of our self awareness and what I believe we refer to as spirituality.

 

 

 

 

KotoJazz 89: David Wilborn’s ‘jazz it up’ tune @ C&P West Seattle

 

David Wilborn likes to jazz it up with some upbeat, almost ragtime rhythmic tunes. His music is mostly improvisation and this is one of those. As a gifted creator of sound into melodic rhythm, it’s been a pleasure and privilege to have Dave as a friend for over 20 years, and as a music partner for the past year.

Sometime the smaller venues are more fun and interactive and relaxing for us both, and we find that C&P Coffee Company which hosts music performers like us every week, is just such the place  to make you feel at home. It is located right on the main drag in West Seattle at 5621 California Street, just south of the West Seattle “Junction”. Stop by sometime and you just might find us rockin’ up this classic coffee house, or someone else like us. The coffee and service there is fabolicious!

metamorph senses (new CD release & a koto jazz tune)

This new CD mostly live production was crazy, experimental fun – anchored by a few George Winston covers, a touch of Narada/ Silver Wave- style new age, a koto jazz tune, and some “off the beaten path”, eclectic wacko improvisations . . . and you have a metamorphosis of the senses –

http://www.cdbaby.com/cd/chriskenjibeer5

metamorphsenses_final02

 

Whales Breaching Live @Northwest FOLKLIFE

From the Sounds from the Coast CD, “Whales Breaching is a celebration of life, sharing the seas with our ocean friends, and a hope that we will never take them for granted. Let’s support their rights as our own.

 

“Breach” – Live Koto Jazz & the SyntHorn @ The Royal Room; NW FOLKLIFE Next

Here is a live recording of a tune I first played at Stone Way Café’s Fremont Art Walk on April 1st, then recorded live at The Royal Room on April 13th with Koto Jazz accompaniment by Patrick Wilson on the SyntHorn –

🎶  “Breach”, by Chris Kenji & Patrick Wilson.

 

Koto Jazz on soundclick.com

 

Join me and Koto Jazz partners next week in Pioneer Square and Northwest Folklife –

April 29th, 7-8:30PM, Saturday, Koto Jazz @ FREDERICK HOLMES AND COMPANY Art Gallery, 309 Occidental Ave., Occidental Mall, Pioneer Square, dowtown Seattle; #206-682-0166.

May 27, 4:30- 5:10 PM, Friday, 2016 NORTHWEST FOLKLIFE;“Koto Jazz – Sounds On the Coast” by Chris Kenji, Center Theater, Seattle Center, Seattle WA. No cover

Koto Jazz 85: Next Wednesday @The Royal Room

Take a mid-week break next Wednesday and relax by stopping by The Royal Room at 7:00-9:30pm, April 13th as Patrick Wilson and I demo our experimental session of Koto Jazz with bossa nova rhythm and beat on the Steinway and Patrick’s invention, the SyntHorn. We’re attempting to further refine it to make it truly stage worthy in preparation for Northwest Folklife opening day. We perform for Northwest Folklife on Friday, May 27 at 4:30pm-5:10pm. The Koto Jazz will be stage worthy with bossa nova fusion. The Royal Room is located in south Seattle’s Columbia City neighborhood at 5000 Rainier Ave South, Seattle. See http://theroyalroomseattle.com for quality dining and drinks. This will be part of a donation of $100 I plan to give to the Royal Room and Wayne Horvitz toward piano repairs!!     

Patrick Wilson’s SyntHorn on the koto jazz tune

For the off beat eclectic innovator, the SyntHorn is an amazing, fun and crazy instrument. One of my neighbors and friends Patrick Wilson in Seattle created a digital instrument he calls The SyntHorn (short for synthesizer horn). The horn itself produces an unique, distant echoing cavernous sound effect. The SyntHorn includes the horn, a mini- digital keyboard, Oscillator, Chaoscillator, Monotron delay unit, two Internal Horn speakers, and one external speaker. Since the the features and function completely run on rechargeable batteries, it can played anywhere at any time. A carrying strap fits over the shoulder. All this resides in one unit.

Here is a sampling of Patrick live on the SyntHorn –

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Join me in my next performances at C&P Coffee, Columbia City’s Royal Room, and Stone Way Café to hear our progressive electronic jazz. Patrick, a former DJ at a local college radio station, will join me in jazzing up my koto jazz tunes and offer up a few of his own originals with my accompaniment on the keyboard.

It makes sounds and rhythms you’ve never heard before.

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Koto Jazz 83: Song Stories- Wandering Rhino Bug

If our local Seattle grunge band The Presidents of the United States of America can get away with writing songs about bugs (Boll Weevil, Lady Bug), I figure I can too.

This is a fun, eclectic koto jazz tune about one of my most memorable life experiences. My brother, Uncle Yasushi and I used to go hunting, not for a rhinosaurus with a gun, but for rhinosaurus beetles with a net in rural Japan. They make for popular pets in Japan, as do so many exotic insects. The less adventurous just go to the local insect pet store, and are able to purchase them. We preferred the tree climbing approach where the “Kabuto mushi” (Rhinosaurus beetle) dwell. Unfortunately, the last of my bug collection was soaked up by the summer flood of 2014 in Boulder, Colorado.

This version was recorded live at Egan’s Jam House in Ballard last weekend, November 21st, and was one of a number of new songs I introduced at the show. Here is the recording: Wandering Rhino Bug

Egan’s Jam House – Another Cool Koto Jazz night in Ballard

I really got into a zone rockin’ the piano. Sometimes it feels like I’m connecting to the true “Seattle Sound”, an almost eclectic, grunge sound on the keyboard. . . if that is possible. Live recordings will be coming soon. The feedback I have from a handful of attendees last night at Egan’s Jam House tells me these were the most well received tunes:

1) The Hummingbird song (no surprise, I rocked it; Hatchidori wa Hana Kara Hana e Tobu);
2) Tide Pools @ Waves (no surprise, this one reached the top 10 out of 80k songs on soundclick.com);
3) Odds & Endings (same as Tide Pools);
4) Ripples on Creek Rocks (surprised, this is the one that aired on KSFK NPR jazz radio, in S. Alaska, and I still don’t know why)
5) Mount Index Ice Caves (surprised, an acquired taste; haunting sounds)
6) Thanksgiving (surprised, this one by Peter Kater)

Worth a listen here @ Chris Kenji Beer on Soundclick.com

Thanks so much y’all for coming. (no more singing, I promise, except by Marie. Lol.)

Michelle, Earl, Rob & Matt hanging out after the show @ Egan's Jam House Ballard
Michelle, Earl, Rob & Matt hanging out after the show @ Egan’s Jam House Ballard
Ed Yakuzawa, photo by Allan Camhi after the show @ Egan's Jam House Ballard
Ed Yakuzawa, photo by Allan Camhi after the show @ Egan’s Jam House Ballard
Chris Kenji on piano
Chris Kenji on piano
Egan's Jam House in Ballard from one of Marie's friends.
Egan’s Jam House in Ballard from one of Marie’s friends.

Join Me This Saturday, Nov. 21st in Ballard @ Egan’s Jam House

Come join me, Chris Kenji, Saturday, November 21st, 9:00 pm – 10:30pm, at Egan’s Jam House in Ballard, northwest Seattle. I will bring you new songs on the piano, including Odds & Endings, Seascape, and my new Koto Jazz piece, Motto Midare (More Chaos).

I will also sing a few popular classic rock/ folk songs with an eclectic alternative style. In between these vocals, I will play my “Koto Jazz- Sounds from the Coast” tunes. $5.00 cover. For directions and map, visit map here: 1707 NW Market Street (Ballard), Seattle; Call or text: 206-200-2733.

Marie Bolla & Chris Kenji Beer @ The Royal Room

It was a relaxing night of playing at the Royal Room on Tuesday night, and the modest- sized audience was very generous with their contributions. To friends and fans, thanks so much for coming on a weeknight. The donations were solid, so I call it a good night. It means they either really liked your music, or they really, really felt sorry for you. Lol. I say it means you “approve this message”, so thanks. It is also possible we found an introduction to Paul Simon in the audience. 😉

The evening started with a few original works that will be included in my second CD, and a Koto Jazz tune include:
– Falling Leaves
– Seascape
– Haystack Horse Trot
– Protective dissonance

Marie chimed in with vocals for the following ballads:
– Fragile by Sting
– Rivers & Roads
– Make You Feel My Love
– Goodnight Irene

Marie Bolla & Chris Kenji Beer with Marie's friends.
Marie Bolla & Chris Kenji Beer with Marie’s friends.
Marie singing and on keyboard.
Marie singing and on keyboard.
Rob Ingram & Jay Gray at the Royal Room, Columbia City, South Seattle
Rob Ingram & Jay Gray at the Royal Room, Columbia City, South Seattle
Marie Bolla with Victory Music members David John and Ed Yakuzawa @ The Royal Room.
Marie Bolla with Victory Music members David John and Ed Yakuzawa @ The Royal Room.
The Royal Room, November 27 @ 7:30 - 9:30pm, Columbia City, South Seattle.
The Royal Room, November 27 @ 7:30 – 9:30pm, Columbia City, South Seattle.

KFSK Radio, NPR Syndicate Airs Koto Jazz, “Ripples On Creek Rocks”

It’s nice to have one of my songs airing on NPR syndicate KFSK Radio in Petersburg, Alaska’s Rainforest Festival music playlist (September).

Here is that song, at Amazon Music: Ripples on Creek Rocks,

and a link to the same song on Soundclick.com: http://www.soundclick.com/bands/page_music.cfm?bandID=1382715